I finished Christopher Wright’s Pay Me, Bug! last night, and I’ve gotta say, I enjoyed the heck out of it. It was a space opera in the best sense of the term; in fact, I think I’d argue that it’s the best example of a space opera I’ve ever read.1 It’s got, at least, that most important aspect of a space opera: a sense that huge things are happening… in the background.
I finished reading The Improbable Rise of Singularity Girl last night. I also just got the book yesterday morning, so that really tells you what I thought of it. I can definitely see why it passed the Immerse or Die test.1 Which is, incidentally, how I wound up hearing about the book, as a tangential reference from an author I follow who has a book in the Immerse or Die StoryBundle. I’ve been meaning to get that book2 and read it at some point, and the descriptions of some of the other books fascinated me.3 So I dropped enough money on it to get the full bundle, Bonus Books included.4 And now, having burned through the first of those books in a single day, I figured, clearly I enjoyed reading it enough to ignore a bunch of my responsibilities5 and curl up in a chair and read for hours on end, so I should probably do it the honor of a review.