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Review

Halo: New Blood

The flood of Halo books continues!
This one was a lot of flashing back. Like, two chapters of “this is what’s going on now,” and the whole rest of it was flashback. Buck,1 as it turns out, has a propensity for storytelling.
That story meanders quite a bit, because while he has a propensity for storytelling he’s got even more of one for going off on tangents. As it turns out, he’s now become a SPARTAN-IV, one of the new group that were created in the lead-up to Halo 4.2 And that’s sort of what this whole book is – an interwar period, a look at what the UNSC was doing in the immediate aftermath of the Covenant War and before the Didact showed up and started ruining things again. Which was a pretty cool bit of territory to play with, one that I don’t think we’ve really seen before in the Halo series. One of the core ideas of the games was that you’ve got the Covenant, these scary xenos,3 to provide a Big Bad Enemy that we don’t have to feel guilty for killing. But without the Covenant, humanity’s own mess of fighting amongst themselves came back out to play. It never really ended during the Covenant War, it just got put on hold – even ideologically antithetical enemies can put their differences aside when they’re faced with mutual obliteration at the hands of a third party.4 And so, in that interwar period, the rebellion against the UNSC and the UEG springs back to life, and all the troops that’ve gotten so use to that no-gray-areas war with the xenos are suddenly thrown back into the moral gloop that is a colony-vs-empire war.
And that’s something that, like I said, hasn’t really been explored in the Halo canon very much. Sure, the origin of the SPARTAN-II program was as a force for fighting against those rebels, and we’ve been through one or two missions there, but never with even a moment spared for their ideology – they were portrayed just as ‘terrorists.’ Which is fitting, considering how brainwashed all of the SPARTAN-IIs were; it’s even acknowledged in New Blood that one of the key reasons they were abducted and put into the program at the age of 6 was so that they’d have that sort of undying loyalty to the UNSC. The SPARTAN-IVs are all adults, converted into superhumans after they’ve been serving in the UNSC. And they’ve already formed their own opinions – they poke at their orders a bit, don’t obey quite as blindly, and in a couple notable cases, they actually side with the rebels. They’re not the point-and-shoot weapons that the SPARTAN-IIs were, but there’s more of them and it’s less likely to feed the rebellion when people find out about them and how they’re made.5
The fact that this one was such a gray area like that, though? It made it a much more interesting read. Depressing in places,6 but definitely interesting. Give it a read, especially if you want to find out more about the SPARTAN-IVs.


  1. The sergeant from Halo 3: ODST and a SPARTAN-IV in Halo 5, if you’re wondering why I’m acting like that’s a name that should be familiar. 
  2. Fun fact: I just now realized that Halo 5 has been out for a few months. I’m way more invested in the multimedia project that is Halo than I am in the video game series. 
  3. The term “alien” gets too much use in politics nowadays, so I’m going with “xenos” as shorthand for extra-terrestrial non-humans. 
  4. Imagine how the Cold War would’ve gone if Martians had shown up during the Cuban Missile Crisis and started laying waste to the entire planet. 
  5. Because, seriously, imagine the PR disaster that ensued when the Office of Naval Intelligence finally had to reveal that the SPARTAN-IIs were created by kidnapping children and brainwashing them and then testing a bunch of geneva-convention-violating surgeries on them. 
  6. There’s nothing more aggravating than having a playable character die at a point in the game when you can’t control them – you can’t help but feel like if you were in charge you could’ve done something different, you could’ve saved them. Cutscene deaths are stupid, and so are book-sequel-deaths. Which could be more of a spoiler if I gave you any idea of who died, but I won’t.