Tag: fiction

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Review

“Fine Structure”

Sam Hughes

I actually read this almost immediately after “Ed”, and it makes for a heck of contrast. Where “Ed” is mostly pretty light and quick, this is all kinds of convoluted in terms of what’s going on with the plot. But it also does that thing that Hughes does really well—it spans a massive amount of time and space, and covers a staggering amount of ground.

The basic concept is truly excellent, though: what if, every time you tried some Cool Science Fiction Thing, it worked—once. And then never again.

It’s a really interesting constraint for a work of science fiction, as well: how can you do enough Cool Science Fiction Things for a full book, when the core concept is that those concepts are consumable? It makes for, as I said, a sprawling world that must be built out—larger than “Ed” or “Ra” had to be, and bringing in some definite “higher-dimensional beings would look a lot like Cthulhu, wouldn’t they?” energy.

The end result is, I can’t recommend this as readily as I did “Ed”, because it’s boggling at times. But it’s a great payoff, and ties together things you wouldn’t at all expect, much better than you’d expect. If that sounds good to you, give it a read.

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Review

“Ed”

Sam Hughes

I’m reading Hughes’ work all out of order, but happily, there’s really no shared universe from story to story, so it’s not an issue. And, having now read all four of his books, I can say that “Ed” would be my recommended starting place, if you want to give it a go.1 It’s the lightest – a very silly beginning, and told by a narrator who’s further outside the story than any of his other works. While it’s not quite to that space opera feel, with the big events happening in the background and the story following regular-sized people just trying to make it through, it’s more human in scale.

It’s also very episodic most of the way through, so it’s easier to pick up and put back down for a while, if that’s your reading style, though there’s enough callbacks that you’ll be rewarded for going right through. (And, because this is a web-first piece of fiction, if you’re reading it online, a great deal of those callbacks are hyperlinks to the correct chapter – an easy way to catch yourself back up without devolving into “as you know, Bob” territory.)

All in all, “Ed” is a fairly short read, and a fun one. It’s got that characteristic “sprawling across space and time” feel that’s characteristic of Sam Hughes, but at no point do you feel like you need to stop and take notes to try to follow what’s going on. I quite enjoyed it. Give it a read, and if it really captures your interest, buy a copy!

  1. I’ve previous reviewed “Ra”, and will at some point write up my thoughts on “Fine Structure”, but my stance on “There Is No Antimemetics Division” is the simple “if you like SCP, you’ll like this; if you don’t know what that means, this isn’t a good starting point.” ↩
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Review

Circle of Magic

Tamora Pierce

I suspect I have mentioned in the past that Tamora Pierce’s Circle of Magic series is one of my favorite things to read. As a general rule, I reread most of her bibliography at least once a year – quite often when I’m stressed. Tamora Pierce is my comfort reading.1

I’ve recently stumbled my way into a lovely group of people, and among many of the projects we created for ourselves was something of a book club. And we started with the Circle of Magic.2

And here’s where I begin to struggle in writing this, nominally a review of the first quartet. I’ve been reading and rereading these books for so long that it’s impossible for me to come at them with fresh eyes. I can’t even begin to put myself in the mind of someone who hasn’t read them, to try to figure out what about them I should mention to convince someone they’re worth the time to read. I wouldn’t be the person I am today without their influence.

Instead, I’m just going to list some thoughts about the different books, in no particular order.

Tris’s Book is, I think, my favorite of the four. I identified the most with Tris, growing up – a total bookworm, and too quick a temper. It is, unsurprisingly, in Tris’s Book that we get to see what Tris is thinking, and what made her that person – and, conversely, that we see her start to grow, and learn to trust.

Briar’s Book scares me to this day. I’d say “even more so, considering,” but, having just reread it last week, I don’t think the amount it scares me has changed, even in light of living through a pandemic. It’s still terrifying – and it turns out to have been pretty accurate about just how scary, and lonely, and crushing it all is.

“Most disasters are fast, and big. You can see everyone else’s life got overturned when yours did. Houses are smashed, livestock’s dead. But plagues isolate people. They shut themselves inside while disease takes a life at a time, day after day. It adds up. Whole cities break under the load of what was lost. People stop trusting each other, because you don’t know who’s sick.”

Daja’s Book is all about the important of family, and how family doesn’t always match what you grew up thinking it would. You can find more people who love you, and who you love, and they can be just as much family as the one you were born into.

Daja’s Book is also… a big spoiler, in how I’m going to phrase this, so I’ll tuck it into a footnote. You’ve been warned!3

Sandry’s Book… is coming home.

I cannot, cannot express how much I love these books. Please, please give them a try.4 And, because I adore Tamora Pierce, also check out her patreon – the next goal is an admirable one.5

  1. In fact, many times the thing that makes me realize quite how stressed I am is the realization that I’ve picked up one of her novels. It’s automatic! ↩
  2. The book club may have come about as a result of my strongly urging everyone to read these books. As far as the #influencer life goes, “encouraging people to read Tamora Pierce” is probably the best possible outcome. ↩
  3. Daja’s Book is a beautiful example of a happy ending in a book, with everything getting tied together beautifully. It’s not just that every thread gets wrapped up nicely, it’s that half of them are solved by being the solution to another problem. To borrow a phrase that I first heard as a descriptor of another favorite piece of media of mine, it’s competence porn. ↩
  4. I’m breaking my usual ‘use Bookshop links instead of Amazon’ pattern here, but Sandry’s Book isn’t available on Bookshop at all, and based on the paperback prices on Amazon, is thoroughly out of print. The Kindle edition is available, though! ↩
  5. I’m of the opinion that she (or her staff) haven’t done a good enough job of advertising this, because I’ve had her public blog in my RSS reader for years, and just found out about the Patreon a few days ago. So now I’m doing my part by telling you, dear reader. Go support her! She’s great! ↩
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Review

“The Last Thing He Wanted”

Joan Didion

This book took a while to really capture my attention, in terms of time. In terms of how far into the book it took, I suspect it was about the usual amount of time it takes a book to grab me. The distinction being, usually I read books like I’ve got a grudge, like I’m trying to see how fast I can cram all these words into my brain. Not so, with this one — I’d read a chapter or two, and put it down. Sometimes for a couple minutes, so I could sit and process a bit, and then pick it up and continue; other times, it’d be a day or two before I tried again.

All in all, this isn’t the kind of book I tend to go for. It feels much more Literary than my default — which is largely the writing style, but something about the paper and the typesetting makes it feel like the kind of book I’d read for English class in high school, filling it with notes and highlights and a ridiculous amount of sticky notes.

By the end, it feels… semi-coherent. Which, by then, you’ve grown used to, because at the beginning it’s entirely incoherent. The writing style is “first draft of a book by somebody who got a doctorate on a specific week of history and has no grasp of the concept of expert blind spot.”

At the end, though, I liked the book. Apparently it’s been developed into a Netflix film, the cover tells me; I may watch it, because I can’t imagine the film adaptation at all feeling like the book.

In writing this, I can also tell just how much Didion’s writing style has influenced mine, at least at the moment. Consider this a cheap knock-off of a demo. And then go read the real thing, instead.

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Review

“Floodtide”

Heather Rose Jones

The introduction to this book was familiar enough that I did a quick search and found out I’ve read another book in this universe.1 I may go back and reread that one now, in fact, because I think that “Floodtide” did a better job of introducing the system of magic in a way that makes sense to my brain.

It’s also, largely, a much more human-scale story. The protagonist isn’t changing the world, she’s just trying to get through life, finding a little bit of happiness along the way. Sure, she has friends changing the world, living a grand, romantic life, and she’s determined to help them do that as best she can, but she’s still… a regular person. Sometimes, it’s nice to read things like that — it’s what got me watching Agents of SHIELD back when it first aired, after all.2

It reminds me, a little, of the idea of a space opera. There’s all sorts of large-scale things happening in the backdrop, but the actual core of the story is about the characters and how they’re doing, why they make the choices they do, that sort of thing.

I’m not certain how well I’m selling this book, but I did quite like it. Give it a go.

  1. That was more than three years ago, now? Somehow, in my head, none of my ongoing projects have actually been ongoing that long, and yet, here I am, several years into writing little book reviews. ↩
  2. And, y’know, once Agents started being about saving the whole world instead of just, y’know, regular people trying to exist in a world with superheroes, I gave up on it. ↩
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Review

“The Strange Case of the Alchemist’s Daughter”

Theodora Goss

This book reminded me of the 2017 remake of The Mummy. Which, I must admit, sounds like an insult, but hear me out: this book is what that movie wanted to be.

The premise is fairly simple: what happened to Dr. Jekyll’s family? (And, further, what happened to any of the background characters in any of the popular novels of the time?)

And from that question, Goss made a marvelously interesting story. She’s establishing a shared universe for a lot of these stories, pulling together the literary zeitgeist of the whole period into a single interlinked whole, in a delightful way.

Beyond that, the actual writing style is very well done. There’s a main protagonist, and the story is mostly told from her viewpoint, but there are interjections from the other characters, and you learn fairly quickly on that, though she’s the protagonist, she’s not actually the one wring — just giving the occasional editorial comment. It reads like the, oh, third draft of a book, where you can still see all the margin notes thrown in by the various people reading through and remarking on their own perspective of the events in the book.

Very early on, this disorganized style is used for what I think is the most interesting piece of foreshadowing I’ve read in quite a while — one of the more impatient characters leads in with “no, no, you should start in medias res, like this” and suddenly we’ve skipped forward several chapters, to a very exciting scene, for something like half a paragraph, before we’re pulled back to where we were with “now hold on, they won’t know what’s going on if we jump right to there!” It is, frankly, delightful.

I very much enjoyed this book — as evidenced by my reading it in a single sitting — and highly recommend it. Give it a go, and, if you need me, I’ll be adding the sequels to my wish list.

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Review

“Wayward Son”

Rainbow Rowell

I enjoyed “Carry On” so much that I immediately picked up the sequel and read through it. “Wayward Son” is also a fun read, but not nearly as strong as “Carry On” was; “Carry On” is a conclusion and a beginning, while “Wayward Son” is… the middle book.1 It feels like it’s trying to progress the arc of the story, while still leaving enough un-finished for there to be a properly conclusive sequel — to the degree that the “ending on a cliffhanger” doesn’t actually add much more “well, guess I need to read the next one to see how this ends” than the book already had.

Still, there’s a lot of fun worldbuilding going on — an actual proper treatment of what the United States is like in this magical world, unlike Rowling’s utter disregard for… our entire culture, really.2 It honestly leaves me wanting to see other countries in this world, as well. Anglocentrism fits something that started as a Harry Potter parody, but now that we’ve established that Magical Britain is Britain and Magical America is “America, but more libertarian”, I’d love to see, like, Magical Brazil. Magical China. Fill out the world a bit more — what sort of international laws are there governing magic? How does the rest of the world deal with the fact that the Magical United States has no government, and the only thing keeping magic from going viral is that all the magic-users are secretive by nature? Lord knows that won’t last.

I’ll wrap up my rambling here, though. It’s an alright book; I think my main issue with it is timing. If I’d been able to go through all three in the series in a row, I suspect I would’ve enjoyed it a bit more — there’s a lot of set-up for the next book, but now, instead of getting to carry right on to the pay-off, I’m just stuck waiting. So, y’know, maybe wait until next year, but then read it.

  1. Literally so: there’s a third book in the series, scheduled to be released next year, which is explicitly billed as “the third and final book in the Simon Snow series.” ↩
  2. The Fantastic Beasts film actually did an alright job of portraying my country, it feels like, but every aspect of the magical school she tried to describe as our equivalent to Hogwarts is extremely “I don’t get America.” We don’t do school houses, and you really think we’d have a single school? (I must admit, I really love watching Europeans be utterly unable to grasp just how big the US is.) ↩
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Review

“Carry On”

Rainbow Rowell

I keep going back and forth on whether or not I think this book is a parody of the Harry Potter series. On the one hand, it really obviously is – magic school in Britain, Chosen One, mysterious villain, rival from Old Money.1 But it’s doing so much more than just poking fun at these things that have become tropes; it has its own story to tell, and a system of magic that honestly makes more sense than anything Rowling ever accomplished.2

But a good part of my enjoyment of the book is also in the contrast with Harry Potter. What if Harry and Draco had been roommates? (And yes, it’s magic, so we do get to say “they can’t just strangle each other, the school has magically-enforced rules about that.”) What was Draco thinking when Harry was doing the “I have to keep an eye on him at all times” thing in their whichever-th year?3

The opening couple chapters are a delight to read. It’s the start of the school year, which makes for a very clear narrative beginning point… except it’s the start of Simon’s final school year, and he’s been a Protagonist all along, so we’re coming in very much in medias res. The amount of “as you know, Bob” is kept very low, which makes it a fun puzzle of “what all Insane Bullshit has he survived so far?”, and I’ve always enjoyed a game of “what’s the setting.”

Suffice it to say, I heartily recommend this – I’ve been trying to reduce the number of books in my to-read pile, but the moment I finished the book I immediately ordered the sequel, so here we are. If you at all like Harry Potter, and want something without the… tainted association of Rowling, please do read this delightful book.

  1. For reference, the titular character, and all the adventures that he went through prior to “Carry On,” made their original appearance in a novel centered around someone’s enjoyment of We Can’t Call It Harry Potter Because Rowling Has Lawyers For That, so it’s no surprise that there’s a lot of clear similarities. ↩
  2. There’s rules! Actual rules, explicitly stated, about how spells are created! And they aren’t “yeah there’s an insane AI somewhere running things, it thinks making us make those noises are funny and rewards us with making stuff happen.” It’s all I ever wanted. ↩
  3. For reference, here’s how I summarized that to my friend, while I was reading: “Harry is over there like ‘he’s gotta be up to something!’ Draco, meanwhile, is like ‘please, I am a fifteen year old boy, I need five minutes of Alone Time to deal with a… personal matter.’” ↩
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Review

“Not So Stories”

ed. David Thomas Moore

I haven’t actually read very much Kipling, so reading a collection of stories inspired by — or, possibly, “in reaction to” — his work has me feeling like I’m almost certainly missing some context.

In reading, though, I didn’t find these stories at all lacking. They’re well able to stand on their own, and I’ve picked up enough from cultural osmosis to at least feel the shape of some of the references.

It’s also interesting to see the various storytelling methods and traditions being referenced here. Sometimes it’s a story you’re reading, and other times, you’re being told a story, spoken to directly. In a few of the stories in the book, it switches back and forth between these two approaches, telling two stories at once, one nesting inside the other. Reminiscent of Cloud Atlas, in a way.

The thing that most surprised me, as I read this, was how wrong my expectations were. “Based on Kipling’s Just So Stories” had me expecting everything to be in following the Platonic Ideal of a children’s book, very little conflict, everything easily resolved. Instead, in many of these stories, I found myself enraged and saddened at the injustice of it all. Many of them don’t have a happy ending; many of them don’t have much by way of happiness at all. In that, they feel more real than what I was expecting would’ve, although I so much hate to say it.

But my hatred for saying that is a response to media where that sadness feels like it’s there for sadness’ sake. Looking at you, DC film universe — the whole “grim and gritty” thing is just depressing, and the world is depressing enough already.

But in Not So Stories, for the most part, the unhappiness isn’t there just to be unhappy. It’s there to highlight that things aren’t fair, that the world doesn’t always go right — and to make you mad at that. To make you want to change it.

It is, in retrospect, an enjoyable reading experience, though at times I didn’t feel that way. Go read the book, and get mad at injustice.

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Review

“Cannonbridge”

Jonathan Barnes

I realized, somewhere around a third of the way into this book, that I don’t actually like anyone in it. The protagonist is an astonishingly boring man, for someone living through this upsetting a series of events, and the other main character is a rather good example of what’s wrong with acting like a proper Victorian.

All that said, I did enjoy the book. It was the kind of mystery that I enjoy, less about figuring out who did the thing than it as about what, precisely, they did. That mystery is what carried me through – I had theories, thoughts about what might have been going on with that second main character, and I had a great deal of fun trying to figure out which of them were right, which were wrong, and why. (And, it turns out, I was wrong on all counts – the end was stranger than I expected, and all the more creepy as a result.)

All told, I quite enjoyed this book, and I can recommend it to anyone who likes a creepy mystery. (Bonus points if you like Victorian literature — you’ll probably catch more of the references than I did.) If that’s you, give it a read.

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Review

“Relic Guardians Collection”

Victoria DeLuis, Meg Cowley

If you’re a fan of Warehouse 13, you’ll enjoy this book, I suspect. While it’s not as visibly rooted in actual historical fact as Warehouse 13 always was,1 it’s got that same “Indiana Jones, but about saving the world instead of just finding cool stuff for the museum” vibe.

That’s, really, most of the tl;dr of the book, although I’ve left out the magic. It’s a somewhat loosely-defined magic system, which normally I’d be annoyed by, being the “I want to understand the laws of magic” person that I am, but in this case it fits the cinematic feel of the series. The only really solid rule is that magic doesn’t come from people, but is a natural thing — ley lines! — that they channel through a focus of some sort. There’s also a lot of dangerous ancient artifacts around, which is where we get the Warehouse 13 aspect.

Zoe makes for a reasonable protagonist in Ancient Magic and Cursed Magic, but I think Hayley, the protagonist of Hidden Magic, is the one who really makes this collection. Zoe is the seasoned veteran, someone who was raised with magic and made a career out… well, being a badass. Hayley, meanwhile, is a junior museum curator, and spends the first quarter of her story in the perfectly reasonable belief that magic isn’t real. Discovering it with her is a lot more fun, and that “what is happening” mindset makes her a lot more relatable to the reader. Frankly, I’d argue that Hidden Magic should’ve been the first book in the collection, but Ancient Magic dovetails into it so well with the little crossover that it’s hard to be mad.

End result, I quite liked this little collection. It was a pretty quick read, and a fun one; give it a go.2

  1. Well, right up until it wasn’t, but you’ve gotta let the show have its core concept, after all. ↩
  2. Normally, this would be a Bookshop link, but I’m unable to find the collection — or any of the component novellas — on Bookshop, so here’s an Amazon link instead. Strangely, despite being published under the same title, the thing I’m linking to is a 6-novella set, while the one I read only contains the first 3. I, frankly, have no idea where I got this ebook. ↩
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Review

“How to Marry A Werewolf”

Gail Carriger

People say not to judge a book by its cover, but looking at the cover of this book having just read it, I think it does a remarkably good job of explaining the book. The title really covers a lot of it, and the porthole hints at the little bit of steampunk that drifted in around the edges of the ‘werewolf’ bit.

In short, the book is utterly ridiculous. It’s not quite as “empty fluff”-y as you might think, and has some interesting things going on with some of the backstory, but it’s still entirely ridiculous.

But you know what? It’s 2020. The world sucks. Let people enjoy things! Read a ridiculous werewolf-regency-romance novel!

You can judge this book by its cover, but think about what context you’re using to judge it. Does “ridiculous and fluffy” mean bad? Or is it that it’s feminine-coded, and our sociocultural background has spent our entire lives teaching us that we should frown upon that sort of thing?

Thank you for coming to my TED Talk, everybody. Go read this ridiculous, fluffy, delightful book.

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Review

“Knaves”

I was going to start with “it’s been a while since the last anthology I read and reviewed,” but, as it turns out, it hasn’t. I wonder if it’s the variety of stories that makes an anthology feel further away in my memory? No single story has as long to get lodged in my memory, or something. Hmm.

Still, I do like the anthologies – they’re fun in the same way that a 22-minute-long TV show is, a great way to fill a bit of time without getting yourself too invested in something.

Knaves is, admittedly, less fun than some of the other ones, because the focus is on villains. So, by the nature of their stories, it’s a bit of a gloomy topic.

Which isn’t to say the stories aren’t interesting, because they absolutely are. “All Mine” is heartbreaking, as is “Hunger in the Bones”; “The Bloodletter’s Prayer” is a fascinating piece of dark fantasy; “Cat Secret Weapon #1” is a delightful spin on the Bond archetype; “The Hand of Virtue” is sweet and a touch melancholy; and “Old Sol Rises Up” is… well, honestly, mostly confusing. But I suspect that was the intent, so I won’t fault it.

And, of course, there’s an introduction – every anthology has to have one. What caught my eye and, frankly, got me to actually read the introduction was who wrote it – Howard Tayler, the man behind Schlock Mercenary, another delightful piece of media that I’m happy to recommend. Read the intro – it’s weird, and silly, and fun.

In fact, read the whole book. It’s a good use of time.

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Review

“Skin Deep Magic”

Craig Laurance Gidney
This book is… melancholy.
I read it in bits and pieces over the course of a couple of months, which it’s well suited for, as a collection of short stories.
Some of them were creepy, and some were sad. One or two were happy, and hopeful. But overall, the feeling I have is melancholy.
Part of that is the way the last story ends, which is certainly coloring my opinion, as I set the book down and immediately started writing this, but I think the whole thing feels that way, as well.
Melancholy certainly isn’t the best of moods to be in, but sometimes it’s what you need. And, considering that I’m posting this as we’re making our way into autumn, it’s entirely appropriate. Get yourself a seat looking over trees preparing to shed their leaves, a mug of tea, and read this book.

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Review

“Wireless and More Steam-Powered Adventures”

Alex Acks
I was genuinely surprised that I don’t have another review to reference here — I would swear that I wrote one about the book where these characters were first introduced, Murder on the Titania, but apparently not.1
So, the introduction: in the Sherlock Holmes style, very vaguely. Zombies, and steampunk, and all the other internet buzzwords abound, but it works surprisingly well together. The primary arc of the first story can be summed up with the image of a Native American man and a Latina woman rolling their eyes as an elderly white man tries to convince himself he’s the hero because he’s slightly less of an imperialist than the bad guy.
And if that hasn’t sold you on the concept, I’m not sure what will. It’s a fun little read, check it out.

  1. I was actually entirely relying on being able to search in my archives here to find the name of that book, but no dice; I had to look it up on the author’s lovely, exhaustive list of everything they’ve written. ↩