Tag: Tortall

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Review

“First Test”

Tamora Pierce; graphic novel adaptation by Devin Grayson and Becca Farrow

I somehow missed that this was going to be a thing until the day before it was released. It took me something like ten seconds between finding out it was up for preorder and actually putting in the preorder; I consider it a testament to my willpower that I made it days after it was delivered before I finally let it jump the queue and be my next thing to read.

Keladry of Mindelan is my comfort reading. The visual treatment here brought me so much joy; it’s quicker to read than the original novel is, and I suspect I’m going to wind up rereading it quite often as a result. Sitting down to reread the Protector of the Small quartet is an investment, it’s what I’m doing with my reading time for a while. This, I can get through in something like an hour.

There’s a couple places where I could feel the edits, but for the most part, everything felt natural; sure, the story was abridged some, but all of it made sense.1

Two thoughts on this visual treatment, specific to that: my immediate thought upon seeing Neal was “he looks like Sokka!” and I sorta held on to that feeling throughout.2

And, even more so in this visual treatment where the words stand alone more, one of my favorite quotes jumped out at me. I was glad it made it in:

The short sword is the sword of law. Without it, we are only animals. The long sword is the sword of duty. It is the terrible sword, the killing sword.

It should surprise precisely nobody that I’m going to recommend this book. I grabbed the paperback—I think I already knew that this was going to be an oft-reread comfort book for me, and wanted the comfortable feel of a paperback to match that. Please, vote with your wallet; get them to do the rest of the series, too.3 I really want to see a baby griffin. And, weirdly, one of the killing machines.

  1. Well, okay, the fact that the Gift was shown (only twice) and was the same vague sparkles each time instead of being the color of each person’s magic, that bugged me a bit. ↩
  2. Hakuin Seastone also sorta reminded me of Zuko, although I think he’s a bit more Live Action TV Series Zuko than Animated Series Zuko. ↩
  3. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
Categories
Review

The Family Cooper

Tamora Pierce

I generally follow a rule of “only post a review the first time I read a book,” and while that seems like a reasonable policy to stick to, I do occasionally feel the desire to break from it. In this case, it’s a little bit that I feel silly not acknowledging that I’ve just finished reading 9 books, but mostly that I want to heap praise upon Tamora Pierce, who is one of my absolute favorite authors.

This time, what I read through was all the books that, to a greater or lesser degree, focus on a member of the Cooper family. Following the in-universe chronological order, this was the Beka Cooper trilogy, the Song of the Lioness quartet, and the Trickster’s duology. It is, I’ve realized, an interesting way to read through them. My thoughts, though, are definitely in light of not having this be my first read through.

These three collections of books are a really wonderful way to get acquainted with the Tortall universe. Alanna is the place it all started, the grand fantasy telling a big story about big events. Alanna herself, the Lioness, is a hero known well beyond Tortall’s borders; from Aly’s eyes, we see that even in Rajmuat, an ocean away, people still know of the Lioness. She’s the heroine, moving in the innermost circles of power.

Beka, on the other hand, starts among the lowest of the low. She was born in the slums, the Lower City of Corus, and is desperately uncomfortable around those sorts of powerful people. It’s very nearly the opposite perspective on this universe. Alanna takes her nobility for granted; Beka knows the biggest change she can make is in the lives of a handful of people.

Aly fills out the middle, in a way. She was born into the nobility, daughter of the Lioness, but her heart lies in espionage. She’s a spy, and she winds up enmeshed in a popular uprising. Her work will change the world in a way more akin to Alanna’s than Beka’s, but she won’t be in the history books as the protagonist. Her job is to be invisible, to effect change without being the center of attention. And as she walks between those two worlds, she shows us the spaces between.

I absolutely love a well-built universe like this. You can tell that the Lioness quartet was the first written, because it’s the most compact, the least filled-out of the universe, but each additional series in that world added more. By now, it feels massive, vibrant, and alive. It feels like what the Marvel movies can never quite accomplish; the protagonists of each previous series are present in a way that cinematic universes never manage outside of the anchoring ensemble pieces. There’s no hand-waving of why the hero of the previous one doesn’t show up to help this time—they’ve always got their own lives visible in the new series.1

I love these books, and Tamora Pierce is great. That’s gonna be the end of every review I write of her work; these are comfort-reading for me. I’ll be halfway through a reread of one of her books and only then realize what I’m doing, and that’s how I tell I’m more stressed than I thought. Seriously, go read anything she wrote.2 It’s all excellent.

  1. Two examples, to compare: Aly can’t call Numair Salmalín, introduced in the Wild Mage quartet, for help, because he’s busy juggling his duties in the Scanran War (the center of the Protector of the Small quartet) and trying to help his wife through her pregnancy.

    Captain America can’t call Iron Man to help during the events of The Winter Soldier because… he can’t remember his phone number? The real answer is “because they didn’t want to pay for Robert Downey Junior and the Iron Man VFX,” but there’s no in-universe reason given in a satisfying way. ↩

  2. These are Bookshop affiliate links – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
Categories
Collection

Tamora Pierce is (Finally) Getting A TV Show

Peter White, Deadline:

Lionsgate and Little Women and King Lear producer Playground Entertainment have teamed on a major fantasy project – a television adaptation of Tamora Pierce’s expansive Tortall Universe series.

I absolutely adore Tamora Pierce, and I cannot overstate how excited I am about this.1

[The companies have] hopes of turning it into a tentpole series that crosses over between fans of Game of Thrones and YA novels.

Obviously, everyone hopes their show will be the next Game of Thrones, but I do think Tortall offers a large enough universe to pull it off. And, again, I would love to see Pierce’s work getting the big-budget approach.

  1. Did I sit down to write a blog post about it for the explicit purpose of making sure there’s some buzz about it online? Yes. Yes I did. I’m trying to encourage them to make it and make it well. ↩