This book reminded me of the 2017 remake of The Mummy. Which, I must admit, sounds like an insult, but hear me out: this book is what that movie wanted to be.
The premise is fairly simple: what happened to Dr. Jekyll’s family? (And, further, what happened to any of the background characters in any of the popular novels of the time?)
And from that question, Goss made a marvelously interesting story. She’s establishing a shared universe for a lot of these stories, pulling together the literary zeitgeist of the whole period into a single interlinked whole, in a delightful way.
Beyond that, the actual writing style is very well done. There’s a main protagonist, and the story is mostly told from her viewpoint, but there are interjections from the other characters, and you learn fairly quickly on that, though she’s the protagonist, she’s not actually the one wring — just giving the occasional editorial comment. It reads like the, oh, third draft of a book, where you can still see all the margin notes thrown in by the various people reading through and remarking on their own perspective of the events in the book.
Very early on, this disorganized style is used for what I think is the most interesting piece of foreshadowing I’ve read in quite a while — one of the more impatient characters leads in with “no, no, you should start in medias res, like this” and suddenly we’ve skipped forward several chapters, to a very exciting scene, for something like half a paragraph, before we’re pulled back to where we were with “now hold on, they won’t know what’s going on if we jump right to there!” It is, frankly, delightful.
I very much enjoyed this book — as evidenced by my reading it in a single sitting — and highly recommend it. Give it a go, and, if you need me, I’ll be adding the sequels to my wish list.