Category: Review

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Review

“The Stories” [1/2]

This is a massive read. My e-reader, which paginates things fairly well, counted it out to precisely 5,000 pages—I actually spent some time wondering if it was so perfectly 5,000, or if that’s just a hard-coded limit at which it throws its hands up in the air and says “I dunno, man, it’s a long document.” As it turns out, it’s just a perfectly even 5,000 pages! I’ll have to try harder if I want to stump the pagination algorithm.

As to what the actual content is, Tor (the publisher, not the service you use if you want to avoid government censorship and/or commit some kind of crime) frequently hires writers to write short stories, which they publish on their website. And, at some point, they bundled up five years’ worth of those stories into this gargantuan ebook. It’ll make for an interesting review, because everything contained in the book is also online, so I can link directly to individual stories. (Which is for the best, because I now can’t figure out where I got this ebook or if it’s still for sale.)

So, here goes: the stories that I bookmarked, and some thoughts about each of them.

  • The Witch of Duva by Leigh Bardugo. So perfectly creepy, and not at all in the way you’d expect it to be—an inverted folk tale. The first story in the book where I went “aw, crap” because I was reading before bed and it was about to ruin my ability to sleep. Also the first one that I went and found online to send to someone to read.
  • The Water That Falls On You From Nowhere by John Chu. Heartbreaking and heartfelt, and all the complexity of family and expectations. I absolutely adore the use of a science fiction concept as perfectly normal—it reminds me of a(n apparently misremembered) Steven King quote. “Science fiction is about ordinary people in extraordinary circumstances; literature is about extraordinary people in ordinary circumstances.”1
  • The Commonplace Book by Jacob Clifton. I liked the familiar-but-not-quite feel of Ada Lovelace and her dealing with the complete nonsense that is societal expectations.2
  • The Strange Case of Mr. Salad Monday by G.D. Falksen. Wonderfully irreverent, with some of that Sherlock Holmes styling that I enjoy, though wrapped up as an actual police officer instead of entirely an outsider to the system. The setting feels very big though, like, there’s a whole lot of steampunk world to explore… but we’re here, in the big city, safe from all the things that go bump in the night. Well, mostly.
  • A Clean Sweep With All the Trimmings by James Alan Gardner. The writing style took a little bit to get used to, but by the end I was a little bit in love with it.3
  • Shade by Steven Gould. I had to look up the author afterwards, and realized that while I hadn’t read any of his other works, some of what’s going on here feels familiar because it’s set in the same universe as one of those other works… that was adapted into a movie that I’ve seen. And I like things like this, seeing people use their extraordinary circumstances to help ordinary people.
  • Ghost Hedgehog by Nina Kiriki Hoffman. Once again, this feels like a connection to an existing work, although I don’t think Hoffman wrote The Sixth Sense.
  • The Cat Who Walked A Thousand Miles by Kij Johnson. What can I say? I’m a cat person. And this story has that nice “old legend” feel to it—it isn’t polished to within an inch of its life, it has little side journeys along the way.
  • First Flight by Mary Robinette Kowal. Doing a bit of rereading for this review, and I don’t know that I’d realized quite how good a mic drop “he understood the historical context” is at the end.
  • The Speed of Time by Jay Lake. It’s a little disjointed, but I think that actually worked quite well. It reminds me of Fine Structure—something huge and not nearly so complex as it seems, expressed in many different ways.
  • The Starship Mechanic by Jay Lake and Ken Scholes. Something about Penauch stuck with me. An infinite multi-tool of a creature, wanting nothing more than a little vacation, and only able to get it by some fairly ridiculous means.
  • Earth Hour by Ken Macleod. Every other future in the book feels a little bit dated—that general feeling of old science fiction where they assumed we’d be running around on Mars but had no idea that cell phones would exist, though not to nearly that degree—except this one. It still feels very modern in how it imagines the future. I still can’t decide if it’s an optimistic take on the future or not, but I enjoyed it either way.
  • Though Smoke Shall Hide the Sun by Brit Mandelo. Here’s a piece of fiction that feels particularly of a time—vampires and werewolves, oh my! But, hey, that was a big trend for a while for a reason. It’s fun!
  • Heads Will Roll by Lish McBride. This feels like the concept for a YA TV series. I’d watch the heck out of it, honestly. Percy Jackson vibes, too.

And here, I’m splitting the post, because a 5,000-page book deserves more than one post worth of review. (And, frankly, I feel like I should get more than one week’s worth of blog post out of that much reading!)

  1. After a great deal of googling, I managed to find the actual quote, which is similar but not quite what I was thinking:> Pop culture writing is about ordinary people in extraordinary circumstances. Literature is about extraordinary people in ordinary circumstances. ↩
  2. I also pulled out a great quote:> “At the end of things, which comes closer every minute, you will look back and you will see the path of your life. Do you want that girl to be a cringing swot, a spinster who loved and lost; or do you want to be strong enough to design your life to your own specifications? I assure you, I shall hate you either way. But you shouldn’t hate yourself. ↩
  3. > Carl says a delivery came for me and it is waiting behind the candy counter. When I look, I see two wooden crates. One is stuffed with feather pillows and one is not. The one without pillows holds twenty sticks of dynamite. The other holds four bottles of nitro, which are put to bed on nice soft pillows because nitro gets sore if someone wakes it accidentally. ↩
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Review

“The Last Dance”

Martin L. Shoemaker

This book completely surprised me; as with a great deal of the reading I’ve been doing lately, I went in with absolutely no expectations, no memory of what the book was about or where and when I’d bought it. And so it was a wonderful surprise to be totally enraptured; I read the book in one day. (And overslept the next morning, because I stayed up late to finish reading it, but happily, I’m on vacation as of this writing, so it’s not an issue!)

The book takes place on an Aldrin cycler, a ship taking advantage of orbital mechanics to shuttle between Earth and Mars at a fuel cost of nearly zero.1 That gives some really interesting context for the plot—“orbital mechanics waits for no man.” So, rather than someone senior handling this big deal investigation, it’s whoever was close enough to catch the ship before the orbit took it back out of reach. And thus, we get an idealistic young investigator wielding the full power of the Inspector General’s office, rather than the admiral at the head of the office. And, courtesy of light-speed delay, said admiral can’t run the show via telepresence, they’re stuck back on Earth, trusting the investigator to do their job. In a way, it reminds me of Ascension, but handled better: you’ve got a ship, cut off from the world by distance. A closed system. And a whole lot of political complexity contained within it, some big inciting incident that happened before we joined the story.

So, with that framework set up, it’s time for the actual story. I found the storytelling absolutely sublime—the protagonist is that idealistic young investigator, trying to see justice done. But, up until the end, we don’t actually get told what happened, it’s just The Incident, and we’re seeing the aftermath. Tempers have cooled somewhat, but everyone is still on edge. The admiralty is one side, with the captain as the other—but the crew is absolutely loyal to the captain. And we’re following the investigator as they’re trying to do their fact-finding, trying to arrive at an unbiased conclusion.

In pursuit of this, we get bits and pieces of their story. And the main thing their story consists of is getting other people’s stories—short interstitial chapters with them, and then longer pieces where some member of the crew tells a story of when the captain earned their trust and loyalty.

It’s a fascinating character study. We barely interact with the captain directly, but the whole thing is about the captain; it’s all about his relationships with the rest of the crew, and the ship, and the admiralty. And, the space industry being the size it is, the relationships of these various characters with each other; there’s no infinite supply of new faces and names, it’s the same characters, seeing one another, and showing us different angles on each of them. With that in mind, I suspect it’d be just as fun to reread, even already knowing what the big mystery is, and the conclusion it’s all leading to.

I absolutely adored this book, and cannot recommend it highly enough. Check it out.2

  1. My understanding is that this is an entirely feasible concept, which genuinely was proposed by Buzz Aldrin. In point of fact, this book seems to fall within the realm of ‘hard science fiction’ — everything is genuinely physically possible. ↩
  2. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“The Vine Witch”

Luanne G. Smith

I feel like I should write an individual recommendation of this book to some of my friends that work in the wine industry. To me, having absorbed a minimum of knowledge of the field via osmosis, it feels like the author knows what she’s talking about.

Something about the scale of this book felt really nice. There’s never a “for the sake of the world!” moment; the biggest thing that can go wrong is a crime goes unpunished and a historic vineyard goes out of business. It’s very personal. And the magic feels the same way—the biggest bit of magic anyone has, even historically, seen was a plague that nearly wiped out all the grapes in the valley. No apocalypse, just a local disaster. Small scale; personal. And it’s neat to see magic used not for magic’s sake, but for the sake of craft—not only the titular vine witch, someone who uses magic to help the vintage, but also bakers and brewers. I like seeing things like this, magic not as a “everything is the same but also magic is there!” but magic properly integrated into the world.

The biggest quibble I have with the book is where that integration broke down. Magic is so much a part of this world that having a character who denies its existence just feels… silly. There’s a whole set of laws! Nobody here is even remotely bothering to deny the existence of magic! It’s not a secret by any stretch, so why is it that the “man of science” must categorically deny magic exists? Really, there should be a whole thaumaturgy department at the university in the big city, studies of how magic integrates with natural law…

But that quibble fades over the course of the story, and I found myself quite enraptured by the end. I suspect this is one of many books I received as a “free with Prime” deal, which is almost certainly no longer on offer, but it’s still worth a read. Check it out.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Scarlet Odyssey”

C T Rwizi

Pretty much any piece of fantasy I read that has magic in it, I wind up trying to figure out the rules of the magic. Because, sure, it’s magic, but it has to have a system underlying it—otherwise nobody would be able to actually use it for stuff! A lot of the time, for the sake of the story, the rules basically boil down to “magic does whatever the plot needs it to do,” which admittedly isn’t not the case in “Scarlet Odyssey,” but there’s also very clearly a set of rules for how it works.1

But what I really loved about this set of rules, what really captivated me, is that it isn’t magic. It’s a sufficiently advanced technology. And it’s masterfully done. Ra featured a magic system that just is programming, including very clear connections to how *nix works. “Scarlet Odyssey” has hints of how it works that make it feel distantly related—more of the “this is how the abstract concept of computation works” than “this is how most computers on Earth work.” That makes it a lot easier to buy this as not a completely alternate-world history, but actually a far, far distant-future bit of science fiction. (Personally, my theory is that the reason they all worship the moon and regard it as the source of the magic is that it is—a moon is a handy place to put some machinery a couple ticks up the Kardeshev scale that you’re gonna use to customize the laws of physics for a planet.)

So, a couple hundred words in to this review, I’m clearly enamored of the world building. And, wow, I’ve barely scratched the surface; there’s a whole rich history, multiple civilizations, the actual details of how the system of magic works… it feels big and storied. Historic.

Worldbuilding aside, I also really enjoyed the story.2 Salo makes for an interesting protagonist, and the jumping between different characters’ perspectives is well-done, providing their different views of how the journey is going, as well as their own stories. Frankly, by the end of the book, it feels a bit like a D&D campaign group—each of the characters is totally unique, and a fight between them and a big group of Generic Evil Minions Plus One Big Bad feels like it fell right out of the Dungeon Master’s Guidebook. They’ve each got their own story, and while Salo is clearly the main protagonist, the story they’re writing together isn’t just about him.

We’ve also got a really great villain in The Handmaid, though I’ll admit I did spend a bit of time being very confused because I hadn’t realized that The Handmaid and The Enchantress were two different characters. Pay attention to the chapter titles, kids, they’re meaningful!

Overall, I absolutely loved this book. I feel as if, here at the end, I should be doing some kind of caveat, but it really directly hit everything I want from a book! It’s not even failing the Russo Test!3 I recommend the heck out of “Scarlet Odyssey,” give it a read.4

  1. Said rules aren’t particularly clear, as there’s at least six kinds of magic, but also maybe a seventh, and also that’s only the ones practiced on this continent, and there’s a whole other family of magic in the other continents? There’s a lot going on. ↩
  2. I could’ve done with more than around 1/2 of a plot thread being tied up by the end of the book, but they’ve gotta get me hooked for the remainder of the trilogy somehow. And, to be fair, if things had been cut down enough to fit the whole trilogy’s plot into one book, it would’ve either been a terrifyingly large book, or lost a lot of the detail that I enjoyed. ↩
  3. In point of fact, it passes it with flying colors. Identifiably gay characters? Salo’s subtle, but his uncle and uncle’s husband, less so. Not defined by that character trait? The uncle is a fierce warrior, and Salo’s own queerness is honestly easy to miss if you aren’t paying attention to how he interacts with the guy he’s trying to hide his crush on/from. Integral to the story? Yeah, I’d say the main character is pretty integral to the story! ↩
  4. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“The Simple Art of Business Etiquette”

Jeffrey L. Seglin

I’ve actually read several books in this genre since my last book review. In general, they all contain the same advice, just phrased slightly differently. This is the one I’m actually choosing to review, though, simply because it was the best-written out of the variety I’ve now sampled.

It’s a hallmark of this genre of productivity/business/self-help books that they’re basically a bulleted list of tips. Given that editors tend to frown upon a manuscript being ten pages of bullet points, though, they all get padded out. Generally, that padding is some mix of anecdotes about the dos-and-don’ts espoused in the bullet points, and some form of interactivity—quizzes, “write your own response”, that kind of thing. Seglin did a great job of balancing those three types of things; each short chapter is a brief intro to the point, an anecdote on the subject, and then a multiple-choice question, followed by an explanation of the answer. It ends with the actual bulleted list, which feels like a nice mix of review and expansion of the already-given points.

The book, like the chapters, is short and easily digestible. My jotted notes from before I started writing this review end with the following: “No eureka moments, but nice gathering together of points.” I stand by that; there’s nothing huge, exciting, or new in this, but it’s useful to have all this disparate advice gathered into one easy-to-read unit. Check it out.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Capricious: Gender Diverse Pronouns”

ed. A.C. Buchanan

Like I mentioned in my most recent read of an anthology, I’m used to them being centered around a specific theme. In this case, the theme is pretty easy to see, and also pretty vague, overall—I think the core concept was “at least one person in the story uses pronouns other than he/him/his or she/her/hers.”

Which gave the authors a lot of room to play around, and it wound up being a really cool variety of stories! From distant-future sci-fi to swords and sorcery, there’s some interesting things that happened in here.

The one that stands out the most, that I feel I’m going to have to go back and reread once or twice more to really wrap my mind around it, is the story of someone moving to a new country and learning the new language. At first, the pronoun bit is easy to miss, until it becomes important to the story: their home country—and, more importantly, their native language—doesn’t have gender as a concept. The character mentions a total of 9 pronouns in their language, which I believe are I/me/mine, you/you(?)/yours, and they/them/theirs. Which is, itself, already an interesting concept, but to make it even more so, the new country they’ve come to has at least three genders, and a gendered language to boot, bringing them to a total of 45 pronouns. (I didn’t count all of them, but think of things like, several different versions of the second person!)

It’s a really effective story; none of the three genders aligns with the masculine/feminine that we’re used to, and so, as the reader, I wound up latching on to the protagonist’s genderless way of speaking, because it’s more familiar. And we get to be confused and frustrated with them, because what the hell are these three genders? Why are there so many pronouns? Why does this language gender the word “you,” for crying out loud, obviously the second-person pronoun refers to the person you are speaking to… and, hey, actually, now that we’re thinking about this… why do we apply gender to things it doesn’t need to be applied to? Why is it so important to us?

That’s what made that story, to me, the best out of the anthology. It gave me a new way to look at an issue that, frankly, I thought I already had a reasonable grasp on. There’s absolutely value to that.

And hey, there’s a bunch of other stories in there too! Some of them thought-provoking, some of them fun, some of them heartwarming; as I said, a very impressive variety. I heartily recommend it. Check it out.1

  1. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“The Last Cities of Earth”

ed. Jennifer Brozek

This was an absolutely fascinating anthology. Generally when I read those, they’re gathered around a single subject area or theme; in this case, though, they all took place in a shared universe.1 In a way, it reminds me of the concept of transformative works—a bunch of different people playing together in the same space, each putting their own twist on it.

And hey, if parts of the concept struck me as a bit ridiculous, it’s not like I’m always sticking to the most robust hard-science-fiction in my reading. Floating cities struck everyone as the best way to survive a global climate apocalypse? Y’know what, sure, why not. It’ll look cool.

Now, thoughts on a couple of the stories:

  • Warriors of the Rainbow was a great choice for ending the book, and totally hits the solarpunk-hopeful vibe that I really like. Sure, there’s realpolitik and a Big Bad, but there’s people working simply on making things better. The kind of thing the world needs!
  • The Flying Dutchman was my personal low point for the book. I just hate zombies. Sure, they followed the protocol to keep it from getting from the airship into the city, but… they found the zombie disease(?) on the ground somewhere. It’s a rather key point of how zombies work that they’re quite content to walk a long ways. That problem isn’t dealt with, and nobody knows what’s coming. Uh oh.
  • Fatherhood was an excellent introduction, and while it has that “that problem isn’t dealt with, and nobody knows what’s coming” vibe to it as well, it’s at least a less-apocalyptic problem. Slightly.
  • Bonsai was, I think, my favorite of the stories. It feels Pratchettian to me; certainly that amount of silliness. And, again, it’s hopeful! Sure, hopeful through a really tangled mess of espionage and high-tech weaponry, but that just makes it better.

So, all told, I really enjoyed this book. Powered through the whole thing in, like, a day; it was a struggle to put it down to get to sleep.2 So hey, go give it a read.3

  1. Well, within limits—clearly there wasn’t a single centralized authority making sure that everything perfectly respected everyone else’s additions to the canon, just look at the variety of names that Las Vegas gets. ↩
  2. Did I wind up stopping after The Flying Dutchman? Yes. Should I have continued after that? Also yes, because c’mon, Grey, load something other than nightmares into your short-term memory before trying to sleep. ↩
  3. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“Owl Be Home for Christmas”

Diane Duane

This is a pretty direct follow-on to my last review, and similarly was written before Christmas. And while it’s the same kind of thing—a small, not saving-the-world scale story in a universe I love—it’s also very different. Because “How Lovely Are Thy Branches” takes place within the main timeline of the books, but this was based on a real event, and was thus locked to a specific point in time. Which happened to be something like a decade later than the rest of the series.

It’s a commentary on how well Duane has written the series to be timeless that it’s easy to forget that, prior to the New Millennium rewrite, these were all taking place in, what, the 80s-90s? That timelessness, though, made it very surprising to realize that, in jumping up to approximately now, a lot of time had passed.

And that’s what really hit me, in reading this. It’s a glimpse at the future of these characters I love. I’ve gone from being along for the ride as they grow up to seeing them as adults, and the places they’ve made for themselves. It’s a bittersweet reunion, and it makes me want to know everything that happened in between. Kit did a doctorate? In what? Nita’s working with Irina? How did that happen? What else have I missed?

All that, and there’s also the sense that the series has grown. I remember that 90s-inflected, Don’t Say Gay treatment of Tom and Carl in the original edition of the first book. In point of fact, I remember explicit statements that they weren’t together, just coworkers who’d decided to buy a house together.

And now, here in 2020, we get to see them waking up together. Poking fun, “are you calling me old?” “I seem to remember telling you I like older men…”

This was such a short story, and it pulled on my heartstrings way more than I was expecting it to. I think this one may be slightly better for someone new to the series than the last, given that there’s less need to actually know who the characters are to understand what’s going on—although it actually has direct references to “How Lovely Are Thy Branches”—but the broader context of how this world works would still be confusing. So hey, why not pick up the box set, it’s a pretty good deal.

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Review

“How Lovely Are Thy Branches”

Diane Duane

As a bit of a peek behind the scenes at how far out I occasionally write these reviews, I read this over Thanksgiving weekend, which was approximately the perfect time to read it. Great way to kick-start the Christmas spirit!

It’s been long enough since I read any of the Young Wizards book that this feels like a strange homecoming; everything is familiar, but some of the details I can’t quite recall. The introduction mentioning where, exactly, in the timeline this took place was a helpful bit of grounding, and I loved some of the little world-building touches like Carmela having employee-level access to the systems at the Crossings. (Which, really, makes a lot of sense—not only is she good friends with the guy running the whole place, but she saved it from an invasion. That’s the sort of thing that does tend to earn one the Keys to the City or equivalent.)

The Interim Errantry series is a nice, lightweight part of the greater universe, and exactly the kind of thing I love to see in more established universes. Everything can’t be huge-scale, this is the apocalypse/save the world type adventures! There’s gotta be time for regular life in between—or, if there isn’t, then it’s worth exploring that these people aren’t able to have regular life. Since that isn’t the case, it’s nice to see some of the little moments like these.

It’s such a nice little story, I love it. I really doubt that it’d be a good starting point for the series, since there’s a whole lot of existing characters that don’t get introduced particularly well, but if you already know the franchise, go read it.

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Review

“Physics of the Impossible”

Michio Kaku

I feel like I’ve been reading a lot of these “explain the whole field in broad strokes” books lately. I do enjoy the twist in this of focusing specifically on impossible things, particularly science fiction tropes; it provides a bit more of a narrative through line, a nice organizational structure to hang the various facts on.

Two caveats to this book:

Firstly, it’s somewhat dated; just from reading, you can narrow down the publishing date to sometime in the mid-aughts. The downside to writing about something as inherently contemporary as “the latest scientific discoveries.”

Secondly, the use of the definite article when referring to theories. It’s never “quantum theory”, always “the quantum theory.” Which I’ve listed as a caveat, but really it falls somewhere between being overly tied to semantics and doing a good job of reminding us that all theories are theories—sure, the theory of gravity is pretty well understood, but it remains a part of the scientific process; it remains a theory.

All told, I found this a pretty good read. The chapters are about the right size for chunks of reading time, and it’s a nice overview of the various impossibilities. (It also feels like it’d be a great reference book for a science fiction writer—it provides enough terminology and understanding to get the realistically-wrong physics you want for good sci-fi.) Give it a go.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Imagine 2200: The 2022 climate fiction collection”

I stumbled across this basically by accident, and let it float around in my to-read pile for a while before finally diving in. It survived a few culls of the queue, and I’m glad it did; the stories here are poignant and hopeful, a look at futures that I hope we’ll see. I’m going to skim through a couple of my favorites.

  • Seven Sisters really brought to mind the phrase “this is the future liberals want.” A non-traditional family, struggling together, trying to make the world a better place just for the joy of doing it.
  • And Now the Shade brought tears to my eyes. Grief and hope, tied up together, and that strange sense of loss that comes before the loss itself.
  • The Florida Project made me think of my sister, in particular the feeling of the first reunion after we’d spent a while living in different states.
  • A Holdout in the Northern California Designated Wildcraft Zone reminds me of the concept of “friendly AI” done really well. A story from the perspective of a literal drone, part of a hive mind, learning compassion.
  • The World Away From the Rain is another one in the “working through grief” category, told from an outsider’s perspective instead. No less effective for that change in viewpoint.

That isn’t all—there are several more stories in the collection, and I quite enjoyed them all, but these were the ones that most grabbed me by the heartstrings. Go check it out.

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Review

“The Rapture of the Nerds”

Cory Doctorow & Charles Stross

Had a bit of a roller coaster in reading this book—it started off well, with the sort of fascinating worldbuilding that I do associate with Doctorow’s visions of the future. By the midpoint, though, I found myself rooting for the vague sense of doom. None of the characters were at all likable, and the idea of everyone being removed from the universe to make it a better place for everyone else started to feel nice.

The second half recovered well, though, and while I still think the protagonist is a bit of an ass, there was at least some personal growth on display. A lot of that arc of the story reminded me of The Improbable Rise of Singularity Girl—that same feeling of explorative transhumanism, and trying to apply computer science concepts (and scale!) to sentience. (That “bringing in actual computer science and engineering” stuff also reminds me of Ra, which takes a wildly different approach to this kind of story, but also quite enjoyable.)

Overall, I do totally recommend this book. And, being a Doctorow novel, you can actually pick it up as a free ebook, although I do recommend, for the sake of both the authors and the publisher that they apparently quite like, buying a physical copy.

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Review

“Economics Through Everyday Life”

Anthony Clark

I can make this review pretty quick: it’s a good overview of the field of economics, and is probably worth a read for anyone who wants to have a good foundation in understanding what the heck they’re talking about on the news. The title is a bit odd, though, because the “everyday life” part never makes much of an appearance. It’s just… a regular book about economics. I suppose it’s “everyday” because it explains, like, the concept of the Gini Coefficient without burying you in the math of how it actually works, but still. Not really “everyday life,” just “Economics: Approachably Told.”

Still, a good read, worth reading.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
Categories
Review

“Solutionary Rail”

Bill Moyer & Patrick Mazza

Right off the bat, let me say: the name is not great. Having just read the whole book, which mentions its own name quite often, I feel as if I’ve been somewhat inoculated against how bad a name it is, but even with that, it’s still very clearly not a great name.

That said, the actual concept is, in my opinion, rock-solid. In short, the book is arguing that we should convert from diesel to electric power for our rail networks, and use the existing rail right-of-ways to build the transmission lines that we desperately need in order to make the green energy transition.

In slightly longer:

  • Rail freight is, inherently, way more efficient than truck freight, and hilariously more so than air freight. Rolling resistance is a hell of a thing; the least efficient train is still twice as energy-efficient as the most efficient truck.
  • Making a train run on electricity is a lot easier than making a truck run on electricity. Turns out it’s way easier to run power lines over a train track than it is to run them over every road ever. (And, bonus, electric trains have the exact same benefit electric cars do: way less maintenance.)
  • Truck freight is massively taxpayer-subsidized: by gallon of fuel purchased, a heavy truck pays, very roughly, 1.75x the gas tax of a sedan. But, for every mile driven, that heavy truck does around 5,000x as much damage to the road it’s driving on that the sedan does. tl;dr: the reason our roads need so much work is because of trucks; every time we use taxpayer money to rebuild a road, the trucking industry is getting a big ol’ present.
  • Railway right-of-ways are a Whole Thing, but for historical reasons, are basically a perfectly-interconnected network that ties together every city in the entire country, as well as whole lot o’ non-city land. This description also applies to the sort of long-distance power transmission infrastructure we need. Is it a coincidence I’m putting these two facts in the same bullet point? Not even remotely!

By these facts combined, we arrive at the argument that a) we should be using a whole lot more rail freight, b) we should be electrifying as much of our rail network as possible, and c) we shouldn’t be afraid to have government step in, because the competition literally could not exist without the massive government intervention that is the creation and maintenance of the interstate highway system.

The bit about using rail routes to also do power transmission is just a really clever way to combine two big projects and get them to pay for each other. Electrified rail means power companies have a brand-new, large-scale customer; siting power transmission literally on top of that large-scale customer not only provides guaranteed demand, it also significantly reduces the amount of time the power companies have to spend shoveling through the horrific mess that is the approvals process for power transmission.1

There’s some weird parts to the argument, namely the way that the book bends over backwards to never yell at the Class I rail carriers for their horrible business practices. Sure, there’s an appendix about it, courtesy of the rail unions, but within the actual text, they’re very careful not to say “and hey, maybe if Wall Street spent less time turning rail freight into the highest-profit-margin industry in the country and instead focused on making it actually good at its job, these problems wouldn’t be as bad!” But then, given that the target demographic of this book is Warren Buffet (owner of Berkshire Hathaway, owner of BNSF, monopolist of the Seattle-Chicago rail route that the authors have identified as the best starting point for electrifying the rail network), it makes sense that they wouldn’t want to draw attention to the fact that he’s kinda the villain of the story.2

Overall, I found this a fascinating read, and I heartily recommend checking out their website, if not the whole book. (There’s a video summary, but you can also get a free download of the book if you, like me, saw the concept and went “oh I have got to know more about this.”)

And then, as a secondary call to action, write to your representatives (state and federal!), your governor, and whoever you know that owns some shares of Berkshire Hathaway. Point out that, hey. Trains. They’re pretty cool. We should do more with them.

  1. As a side note, we desperately need to fix that. Hey, Congress, get on that! ↩
  2. And, frankly, he really should be listening to the idea of using the rail right-of-ways to connect all the wind farms he owns to, y’know, places people actually want to buy that electricity. If you’re gonna be a capitalist on that scale, at least actually get the benefits of vertical integration! ↩
Categories
Review

“Augie & the Green Knight”

Zach Weinersmith

Y’know, I can’t say that I’ve ever before read a children’s book that includes a mathematical proof as an appendix. But then, Weinersmith is an interesting writer like that.

The core of the story is an old Arthurian myth, Gawain undertaking a quest that comes down to an exploitation of the knight’s code. There’s a certain amount of adaptation for young audiences possible from that, but where Weinersmith really shone was in splitting the story to also follow the Green Knight. Or rather, to follow Augie as she tries to teach the Green Knight not to, y’know, behead people willy-nilly. A bit difficult an argument to make to someone who, upon being beheaded, waves cheerfully, picks up his head, and reattaches it with about as much effort as one puts into reattaching the head that fell off a snowman.

The writing style actually feels very Pratchettian in style—not just because the footnotes, but because it’s got that same sort of “approachable for kids, with jokes that will make them laugh, but not as hard as they’ll make their parents laugh” thing going on.

This feels like a great book for the folks the age it’s aimed at, and I also enjoyed reading it. (Someone remind me, in a couple years, to get a print copy and give it to some of the young folks in my extended family.) Check it out!1

  1. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩