Tag: science fiction

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Review

“Crimson Son”

Russ Linton

This was an interesting midpoint between “superhero novel about the superhero” and “superhero novel about someone completely unrelated to the superheroes.” (The latter is, honestly, pretty rare, and I think there’s more room for it to be explored as a concept. Agents of SHIELD is also somewhat on this line.) Spencer, the protagonist, certainly isn’t a superhero, being entirely powerless, but he’s also not not involved. His dad is the Superman archetype, and Spencer, being the obvious weak point, is… trapped in a secret bunker somewhere in the Arctic Circle.

The backstory of that bunker made me very happy, though—it’s not just “random bunker because Cold War,” it’s specifically explained later in the book that it was part of a network of those bunkers built by the Soviet Union… because in this world, as best as I can tell, the entire realm of “nuclear” just never happened. World War II ended with a strike team of superhumans; Chernobyl was a superhuman run amuck; the Cold War weapons race was both sides developing more and more superhumans.

Which is just a delightful twist. “They invented superheroes during World War II, but nothing else changed”? Tired. “They invented superheroes during World War II, and now all sorts of major historical events went differently because The Ultimate Weapon is now a superhero instead of a nuke”? Wired.1

And, really, the book just builds on that. The title works really well—the whole book, really, is about the legacy of that Cold War weapons development. Not just that there’s other supers out there, but that the governments had some programs officially trying to wind down the whole arms race… and that they weren’t entirely honest about how it all went.

It’s a really interesting take on the genre that I’ve read a whole lot of, and I quite enjoyed it. Definitely worth a read.2

  1. I think my favorite one of these was that, in this universe, there were no planes on 9/11; instead, there was a superhuman fielded by a terrorist organization, created using leaked Cold War superhuman tech. ↩
  2. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“The Stories” [2/2]

A continuation of my previous post, where I started but didn’t finish reviewing a massive, 5,000-page anthology of short stories collected by the science fiction publisher Tor. There’s a longer explanation in that previous one; here, I’m finishing my list of stories that caught my interest, with links to where you can read them (free!) online.

  • Fire Above, Fire Below by Garth Nix. Garth Nix’s writing always reminds me of his Seventh Tower series, which I absolutely loved as a kid.1 Which has nothing to do with this story, but it’s still what came to mind.
  • Four Horsemen, at Their Leasure by Richard Parks. At this point, I think Terry Pratchett pretty definitively owns the idea of Death as an anthropomorphized entity. And this fits right into that style—theologically very different from the Discworld mythos, and a great deal emptier, but the idea of Death arguing with God? That’s still very Pratchett.
  • Silver Linings by Tim Pratt. This can’t not be an allegory about nuclear proliferation. Given that nuclear proliferation is one of my biggest worries, how could I not enjoy the story?
  • Clockwork Fairies by Cat Rambo. Rambo did a great job of writing this, because the protagonist is, very deliberately, the single most unlikeable person I’ve ever had to share a perspective with. He’s got that same “terrible in an entirely believable way” thing going on that made Umbridge such an iconic villain.
  • The Cairn in Slater Woods by Gina Rosati. I wasn’t actually expecting this story to go the way it did—I was really thinking it was gonna go, like, “the other school in the neighborhood is for the local vampires” or something silly.
  • Loco by Bruce Sterling and Rudy Rucker. This feels like a weird cross between Girl Genius and Livewires and I’m… kinda here for it?2
  • Firstborn by Brandon Sanderson. There’s a definite Ender’s Game thing going on here, with the whole “managing a war, lots of training simulations, one sibling is preternaturally good at it” aspect. But the way it’s turned and twisted is quite fun.
  • After the Coup by John Scalzi. I’m a frequent reader of the “humanity, fuck yeah!” type of story, and this feels like that genre at its absolute best. It isn’t about how great humanity is, unstoppable war machine or whatever; it’s about what people are really like. It’s comical in the best of ways.
  • The President’s Brain is Missing by John Scalzi. It was at this point that I decided I should probably put Scalzi on my “get some of his full books and read them” list, because this was just as much fun to read as the previous one.
  • Shadow War of the Night Dragons, Book One: The Dead City: Prologue by John Scalzi. Another entry for the “Terry Pratchett would be proud” category. This feels like a slightly darker take on Guards, Guards!3
  • A Weeping Czar Beholds the Fallen Moon by Ken Scholes. I’ve just now realized what this makes me think of—the Septimus Heap series. An old-fashioned world, with a bit of real magic… that just so happens to be the things built back when magic was just science.
  • Do Not Touch by Prudence Shen. I really like the idea that paintings have those “Do Not Touch” signs not because it’ll damage the ink, but because the curators are tired of diving into the paintings after the kids there on field trips.
  • Overtime by Charles Stross. After the amount of Doctor Who they’ve all seen, nobody should be surprised that the British continue to produce time-travel paradoxes.
  • Down on the Farm by Charles Stross. That said, I’m actually really enjoying this “Laundry” setting, and may need to go read one of the bigger books. It feels like it’s partially addressing one of my issues with Warehouse 13—namely, that any government organization dealing with Weird Crap like that should have a much bigger bureaucracy.45
  • A Tall Tail by Charles Stross. You could maybe write a story that’s more precisely up my alley, but to do so you’d have to take one of those AI models and train it exclusively on my interests for a few years. This sent me off on multiple searches to find out if historical things mentioned actually existed and I’d just missed them, or they were made up for the story.6
  • The Dala Horse by Michael Swanwick. Very much in the style of a northern European folk tale, but with a setting where the magic is a result of having built and then forgotten how to build a whole lot of very big, very powerful technologies.
  • The Mongolian Wizard by Michael Swanwick. The starter of a whole series—which, as I found out when grabbing the link, continued on after what’s in the ebook, so I’ve got some further reading for myself—of a very magical take on something of a World War.
  • What Doctor Gottlieb Saw by Ian Tregillis. Recommended reading prior to this: “Superintelligence: Paths, Dangers, Strategies”. Because this is, for sure, a story about what happens when you create a superintelligence without thinking in advance about what and how.
  • The Girl Who Ruled Fairyland—For A Little While by Catherynne M. Valente. A less young-adult version of the Enchanted Forest Chronicles, which I’ve mentioned before as one of my favorite series.
  • The Last Son of Tomorrow by Greg van Eekhout. A lot of similarity to the ending of Superman: Red Son, what with the examination of “hang on, what does Superman do when he notices that he’s immune to aging?”
  • A Stroke of Dumb Luck by Shiloh Walker. Another entry in the “vampires and werewolves are just kinda fun” category, with bonus points for a good balance between “actual consequences” and “oh god you’re such a teen about how to deal with this situation.”
  • Super Bass by Kai Ashante Wilson. The moment in the book (here, thousands of pages in, yes) where I realize how overwhelmingly white/european everything else in the book has been. A reminder that I want to get further out of my comfort zone with what I read, because a lot of the stuff out there, like this, is really good. Very, very different from what I’m used to, and I feel like I’m missing a whole lot of cultural context, but I can muddle my way through and still enjoy it.
  • The Woman Who Shook the World-Tree by Michael Swanwick. I’m very slowly working my way through Lessons in Chemistry at the moment, and this very much reminded me of that at the beginning, to the point that I spent the whole story bracing myself for the betrayal that never came. Instead, this was a bittersweet, paradoxical work that I found myself really loving.
  • The Sigma Structure Symphony by Gregory Benford. Between the wonderful description of a Lunar colony developed around archiving SETI transmissions from a busy, busy galaxy and the exploration of music as mathematics (and mathematics as music), there’s no way this wasn’t making it onto my list.
  1. And, honestly, still enjoyed rereading a couple years ago—it’s great fodder for a “this is a work of fantasy, but how can I turn it into far-future science fiction?” thought experiment. Hint: it involves a globe-spanning swarm of nanobots running a virtual world. ↩
  2. > “Not much like Patel,” mused Becka. > “I can’t say,” replied Gordo. “Remember, I only joined your team after the Patel incident.”

    > “I wish you’d stop bitching about ‘the Patel incident.’”

    > “Look,” said Gordo, “you can’t just morph a federal scientist into a giant invertebrate that catches fire. That’s not an acceptable protocol.” ↩

  3. > It is said that earthquakes are what happens when two night dragons love each other very much. ↩
  4. > Call me impetuous (not to mention a little bored) but I’m not stupid. And while I’m far enough down the management ladder that I have to squint to see daylight, I’m an SSO 3, which means I can sign off on petty cash authorizations up to the price of a pencil and get to sit in on interminable meetings, when I’m not tackling supernatural incursions or grappling with the eerie, eldritch horrors in Human Resources. ↩
  5. Although, that said, Warehouse 13 did feature an org chart that consisted of a handful of agents, a manager, the CEO, her personal driver, a contractor of a doctor, and then a board of directors that outnumbered the entire rest of the organization, so maybe they do have a healthy amount of bureaucracy… ↩
  6. I shouldn’t have doubted myself; all the things that I went “wait, is that real? How have I never heard of that?” were, in fact, fictional. Or, I guess, are still classified. ↩
Categories
Review

“The Stories” [1/2]

This is a massive read. My e-reader, which paginates things fairly well, counted it out to precisely 5,000 pages—I actually spent some time wondering if it was so perfectly 5,000, or if that’s just a hard-coded limit at which it throws its hands up in the air and says “I dunno, man, it’s a long document.” As it turns out, it’s just a perfectly even 5,000 pages! I’ll have to try harder if I want to stump the pagination algorithm.

As to what the actual content is, Tor (the publisher, not the service you use if you want to avoid government censorship and/or commit some kind of crime) frequently hires writers to write short stories, which they publish on their website. And, at some point, they bundled up five years’ worth of those stories into this gargantuan ebook. It’ll make for an interesting review, because everything contained in the book is also online, so I can link directly to individual stories. (Which is for the best, because I now can’t figure out where I got this ebook or if it’s still for sale.)

So, here goes: the stories that I bookmarked, and some thoughts about each of them.

  • The Witch of Duva by Leigh Bardugo. So perfectly creepy, and not at all in the way you’d expect it to be—an inverted folk tale. The first story in the book where I went “aw, crap” because I was reading before bed and it was about to ruin my ability to sleep. Also the first one that I went and found online to send to someone to read.
  • The Water That Falls On You From Nowhere by John Chu. Heartbreaking and heartfelt, and all the complexity of family and expectations. I absolutely adore the use of a science fiction concept as perfectly normal—it reminds me of a(n apparently misremembered) Steven King quote. “Science fiction is about ordinary people in extraordinary circumstances; literature is about extraordinary people in ordinary circumstances.”1
  • The Commonplace Book by Jacob Clifton. I liked the familiar-but-not-quite feel of Ada Lovelace and her dealing with the complete nonsense that is societal expectations.2
  • The Strange Case of Mr. Salad Monday by G.D. Falksen. Wonderfully irreverent, with some of that Sherlock Holmes styling that I enjoy, though wrapped up as an actual police officer instead of entirely an outsider to the system. The setting feels very big though, like, there’s a whole lot of steampunk world to explore… but we’re here, in the big city, safe from all the things that go bump in the night. Well, mostly.
  • A Clean Sweep With All the Trimmings by James Alan Gardner. The writing style took a little bit to get used to, but by the end I was a little bit in love with it.3
  • Shade by Steven Gould. I had to look up the author afterwards, and realized that while I hadn’t read any of his other works, some of what’s going on here feels familiar because it’s set in the same universe as one of those other works… that was adapted into a movie that I’ve seen. And I like things like this, seeing people use their extraordinary circumstances to help ordinary people.
  • Ghost Hedgehog by Nina Kiriki Hoffman. Once again, this feels like a connection to an existing work, although I don’t think Hoffman wrote The Sixth Sense.
  • The Cat Who Walked A Thousand Miles by Kij Johnson. What can I say? I’m a cat person. And this story has that nice “old legend” feel to it—it isn’t polished to within an inch of its life, it has little side journeys along the way.
  • First Flight by Mary Robinette Kowal. Doing a bit of rereading for this review, and I don’t know that I’d realized quite how good a mic drop “he understood the historical context” is at the end.
  • The Speed of Time by Jay Lake. It’s a little disjointed, but I think that actually worked quite well. It reminds me of Fine Structure—something huge and not nearly so complex as it seems, expressed in many different ways.
  • The Starship Mechanic by Jay Lake and Ken Scholes. Something about Penauch stuck with me. An infinite multi-tool of a creature, wanting nothing more than a little vacation, and only able to get it by some fairly ridiculous means.
  • Earth Hour by Ken Macleod. Every other future in the book feels a little bit dated—that general feeling of old science fiction where they assumed we’d be running around on Mars but had no idea that cell phones would exist, though not to nearly that degree—except this one. It still feels very modern in how it imagines the future. I still can’t decide if it’s an optimistic take on the future or not, but I enjoyed it either way.
  • Though Smoke Shall Hide the Sun by Brit Mandelo. Here’s a piece of fiction that feels particularly of a time—vampires and werewolves, oh my! But, hey, that was a big trend for a while for a reason. It’s fun!
  • Heads Will Roll by Lish McBride. This feels like the concept for a YA TV series. I’d watch the heck out of it, honestly. Percy Jackson vibes, too.

And here, I’m splitting the post, because a 5,000-page book deserves more than one post worth of review. (And, frankly, I feel like I should get more than one week’s worth of blog post out of that much reading!)

  1. After a great deal of googling, I managed to find the actual quote, which is similar but not quite what I was thinking:> Pop culture writing is about ordinary people in extraordinary circumstances. Literature is about extraordinary people in ordinary circumstances. ↩
  2. I also pulled out a great quote:> “At the end of things, which comes closer every minute, you will look back and you will see the path of your life. Do you want that girl to be a cringing swot, a spinster who loved and lost; or do you want to be strong enough to design your life to your own specifications? I assure you, I shall hate you either way. But you shouldn’t hate yourself. ↩
  3. > Carl says a delivery came for me and it is waiting behind the candy counter. When I look, I see two wooden crates. One is stuffed with feather pillows and one is not. The one without pillows holds twenty sticks of dynamite. The other holds four bottles of nitro, which are put to bed on nice soft pillows because nitro gets sore if someone wakes it accidentally. ↩
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Review

“The Last Dance”

Martin L. Shoemaker

This book completely surprised me; as with a great deal of the reading I’ve been doing lately, I went in with absolutely no expectations, no memory of what the book was about or where and when I’d bought it. And so it was a wonderful surprise to be totally enraptured; I read the book in one day. (And overslept the next morning, because I stayed up late to finish reading it, but happily, I’m on vacation as of this writing, so it’s not an issue!)

The book takes place on an Aldrin cycler, a ship taking advantage of orbital mechanics to shuttle between Earth and Mars at a fuel cost of nearly zero.1 That gives some really interesting context for the plot—“orbital mechanics waits for no man.” So, rather than someone senior handling this big deal investigation, it’s whoever was close enough to catch the ship before the orbit took it back out of reach. And thus, we get an idealistic young investigator wielding the full power of the Inspector General’s office, rather than the admiral at the head of the office. And, courtesy of light-speed delay, said admiral can’t run the show via telepresence, they’re stuck back on Earth, trusting the investigator to do their job. In a way, it reminds me of Ascension, but handled better: you’ve got a ship, cut off from the world by distance. A closed system. And a whole lot of political complexity contained within it, some big inciting incident that happened before we joined the story.

So, with that framework set up, it’s time for the actual story. I found the storytelling absolutely sublime—the protagonist is that idealistic young investigator, trying to see justice done. But, up until the end, we don’t actually get told what happened, it’s just The Incident, and we’re seeing the aftermath. Tempers have cooled somewhat, but everyone is still on edge. The admiralty is one side, with the captain as the other—but the crew is absolutely loyal to the captain. And we’re following the investigator as they’re trying to do their fact-finding, trying to arrive at an unbiased conclusion.

In pursuit of this, we get bits and pieces of their story. And the main thing their story consists of is getting other people’s stories—short interstitial chapters with them, and then longer pieces where some member of the crew tells a story of when the captain earned their trust and loyalty.

It’s a fascinating character study. We barely interact with the captain directly, but the whole thing is about the captain; it’s all about his relationships with the rest of the crew, and the ship, and the admiralty. And, the space industry being the size it is, the relationships of these various characters with each other; there’s no infinite supply of new faces and names, it’s the same characters, seeing one another, and showing us different angles on each of them. With that in mind, I suspect it’d be just as fun to reread, even already knowing what the big mystery is, and the conclusion it’s all leading to.

I absolutely adored this book, and cannot recommend it highly enough. Check it out.2

  1. My understanding is that this is an entirely feasible concept, which genuinely was proposed by Buzz Aldrin. In point of fact, this book seems to fall within the realm of ‘hard science fiction’ — everything is genuinely physically possible. ↩
  2. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Scarlet Odyssey”

C T Rwizi

Pretty much any piece of fantasy I read that has magic in it, I wind up trying to figure out the rules of the magic. Because, sure, it’s magic, but it has to have a system underlying it—otherwise nobody would be able to actually use it for stuff! A lot of the time, for the sake of the story, the rules basically boil down to “magic does whatever the plot needs it to do,” which admittedly isn’t not the case in “Scarlet Odyssey,” but there’s also very clearly a set of rules for how it works.1

But what I really loved about this set of rules, what really captivated me, is that it isn’t magic. It’s a sufficiently advanced technology. And it’s masterfully done. Ra featured a magic system that just is programming, including very clear connections to how *nix works. “Scarlet Odyssey” has hints of how it works that make it feel distantly related—more of the “this is how the abstract concept of computation works” than “this is how most computers on Earth work.” That makes it a lot easier to buy this as not a completely alternate-world history, but actually a far, far distant-future bit of science fiction. (Personally, my theory is that the reason they all worship the moon and regard it as the source of the magic is that it is—a moon is a handy place to put some machinery a couple ticks up the Kardeshev scale that you’re gonna use to customize the laws of physics for a planet.)

So, a couple hundred words in to this review, I’m clearly enamored of the world building. And, wow, I’ve barely scratched the surface; there’s a whole rich history, multiple civilizations, the actual details of how the system of magic works… it feels big and storied. Historic.

Worldbuilding aside, I also really enjoyed the story.2 Salo makes for an interesting protagonist, and the jumping between different characters’ perspectives is well-done, providing their different views of how the journey is going, as well as their own stories. Frankly, by the end of the book, it feels a bit like a D&D campaign group—each of the characters is totally unique, and a fight between them and a big group of Generic Evil Minions Plus One Big Bad feels like it fell right out of the Dungeon Master’s Guidebook. They’ve each got their own story, and while Salo is clearly the main protagonist, the story they’re writing together isn’t just about him.

We’ve also got a really great villain in The Handmaid, though I’ll admit I did spend a bit of time being very confused because I hadn’t realized that The Handmaid and The Enchantress were two different characters. Pay attention to the chapter titles, kids, they’re meaningful!

Overall, I absolutely loved this book. I feel as if, here at the end, I should be doing some kind of caveat, but it really directly hit everything I want from a book! It’s not even failing the Russo Test!3 I recommend the heck out of “Scarlet Odyssey,” give it a read.4

  1. Said rules aren’t particularly clear, as there’s at least six kinds of magic, but also maybe a seventh, and also that’s only the ones practiced on this continent, and there’s a whole other family of magic in the other continents? There’s a lot going on. ↩
  2. I could’ve done with more than around 1/2 of a plot thread being tied up by the end of the book, but they’ve gotta get me hooked for the remainder of the trilogy somehow. And, to be fair, if things had been cut down enough to fit the whole trilogy’s plot into one book, it would’ve either been a terrifyingly large book, or lost a lot of the detail that I enjoyed. ↩
  3. In point of fact, it passes it with flying colors. Identifiably gay characters? Salo’s subtle, but his uncle and uncle’s husband, less so. Not defined by that character trait? The uncle is a fierce warrior, and Salo’s own queerness is honestly easy to miss if you aren’t paying attention to how he interacts with the guy he’s trying to hide his crush on/from. Integral to the story? Yeah, I’d say the main character is pretty integral to the story! ↩
  4. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“The Last Cities of Earth”

ed. Jennifer Brozek

This was an absolutely fascinating anthology. Generally when I read those, they’re gathered around a single subject area or theme; in this case, though, they all took place in a shared universe.1 In a way, it reminds me of the concept of transformative works—a bunch of different people playing together in the same space, each putting their own twist on it.

And hey, if parts of the concept struck me as a bit ridiculous, it’s not like I’m always sticking to the most robust hard-science-fiction in my reading. Floating cities struck everyone as the best way to survive a global climate apocalypse? Y’know what, sure, why not. It’ll look cool.

Now, thoughts on a couple of the stories:

  • Warriors of the Rainbow was a great choice for ending the book, and totally hits the solarpunk-hopeful vibe that I really like. Sure, there’s realpolitik and a Big Bad, but there’s people working simply on making things better. The kind of thing the world needs!
  • The Flying Dutchman was my personal low point for the book. I just hate zombies. Sure, they followed the protocol to keep it from getting from the airship into the city, but… they found the zombie disease(?) on the ground somewhere. It’s a rather key point of how zombies work that they’re quite content to walk a long ways. That problem isn’t dealt with, and nobody knows what’s coming. Uh oh.
  • Fatherhood was an excellent introduction, and while it has that “that problem isn’t dealt with, and nobody knows what’s coming” vibe to it as well, it’s at least a less-apocalyptic problem. Slightly.
  • Bonsai was, I think, my favorite of the stories. It feels Pratchettian to me; certainly that amount of silliness. And, again, it’s hopeful! Sure, hopeful through a really tangled mess of espionage and high-tech weaponry, but that just makes it better.

So, all told, I really enjoyed this book. Powered through the whole thing in, like, a day; it was a struggle to put it down to get to sleep.2 So hey, go give it a read.3

  1. Well, within limits—clearly there wasn’t a single centralized authority making sure that everything perfectly respected everyone else’s additions to the canon, just look at the variety of names that Las Vegas gets. ↩
  2. Did I wind up stopping after The Flying Dutchman? Yes. Should I have continued after that? Also yes, because c’mon, Grey, load something other than nightmares into your short-term memory before trying to sleep. ↩
  3. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“Owl Be Home for Christmas”

Diane Duane

This is a pretty direct follow-on to my last review, and similarly was written before Christmas. And while it’s the same kind of thing—a small, not saving-the-world scale story in a universe I love—it’s also very different. Because “How Lovely Are Thy Branches” takes place within the main timeline of the books, but this was based on a real event, and was thus locked to a specific point in time. Which happened to be something like a decade later than the rest of the series.

It’s a commentary on how well Duane has written the series to be timeless that it’s easy to forget that, prior to the New Millennium rewrite, these were all taking place in, what, the 80s-90s? That timelessness, though, made it very surprising to realize that, in jumping up to approximately now, a lot of time had passed.

And that’s what really hit me, in reading this. It’s a glimpse at the future of these characters I love. I’ve gone from being along for the ride as they grow up to seeing them as adults, and the places they’ve made for themselves. It’s a bittersweet reunion, and it makes me want to know everything that happened in between. Kit did a doctorate? In what? Nita’s working with Irina? How did that happen? What else have I missed?

All that, and there’s also the sense that the series has grown. I remember that 90s-inflected, Don’t Say Gay treatment of Tom and Carl in the original edition of the first book. In point of fact, I remember explicit statements that they weren’t together, just coworkers who’d decided to buy a house together.

And now, here in 2020, we get to see them waking up together. Poking fun, “are you calling me old?” “I seem to remember telling you I like older men…”

This was such a short story, and it pulled on my heartstrings way more than I was expecting it to. I think this one may be slightly better for someone new to the series than the last, given that there’s less need to actually know who the characters are to understand what’s going on—although it actually has direct references to “How Lovely Are Thy Branches”—but the broader context of how this world works would still be confusing. So hey, why not pick up the box set, it’s a pretty good deal.

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Review

“How Lovely Are Thy Branches”

Diane Duane

As a bit of a peek behind the scenes at how far out I occasionally write these reviews, I read this over Thanksgiving weekend, which was approximately the perfect time to read it. Great way to kick-start the Christmas spirit!

It’s been long enough since I read any of the Young Wizards book that this feels like a strange homecoming; everything is familiar, but some of the details I can’t quite recall. The introduction mentioning where, exactly, in the timeline this took place was a helpful bit of grounding, and I loved some of the little world-building touches like Carmela having employee-level access to the systems at the Crossings. (Which, really, makes a lot of sense—not only is she good friends with the guy running the whole place, but she saved it from an invasion. That’s the sort of thing that does tend to earn one the Keys to the City or equivalent.)

The Interim Errantry series is a nice, lightweight part of the greater universe, and exactly the kind of thing I love to see in more established universes. Everything can’t be huge-scale, this is the apocalypse/save the world type adventures! There’s gotta be time for regular life in between—or, if there isn’t, then it’s worth exploring that these people aren’t able to have regular life. Since that isn’t the case, it’s nice to see some of the little moments like these.

It’s such a nice little story, I love it. I really doubt that it’d be a good starting point for the series, since there’s a whole lot of existing characters that don’t get introduced particularly well, but if you already know the franchise, go read it.

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Review

“Imagine 2200: The 2022 climate fiction collection”

I stumbled across this basically by accident, and let it float around in my to-read pile for a while before finally diving in. It survived a few culls of the queue, and I’m glad it did; the stories here are poignant and hopeful, a look at futures that I hope we’ll see. I’m going to skim through a couple of my favorites.

  • Seven Sisters really brought to mind the phrase “this is the future liberals want.” A non-traditional family, struggling together, trying to make the world a better place just for the joy of doing it.
  • And Now the Shade brought tears to my eyes. Grief and hope, tied up together, and that strange sense of loss that comes before the loss itself.
  • The Florida Project made me think of my sister, in particular the feeling of the first reunion after we’d spent a while living in different states.
  • A Holdout in the Northern California Designated Wildcraft Zone reminds me of the concept of “friendly AI” done really well. A story from the perspective of a literal drone, part of a hive mind, learning compassion.
  • The World Away From the Rain is another one in the “working through grief” category, told from an outsider’s perspective instead. No less effective for that change in viewpoint.

That isn’t all—there are several more stories in the collection, and I quite enjoyed them all, but these were the ones that most grabbed me by the heartstrings. Go check it out.

Categories
Review

“The Rapture of the Nerds”

Cory Doctorow & Charles Stross

Had a bit of a roller coaster in reading this book—it started off well, with the sort of fascinating worldbuilding that I do associate with Doctorow’s visions of the future. By the midpoint, though, I found myself rooting for the vague sense of doom. None of the characters were at all likable, and the idea of everyone being removed from the universe to make it a better place for everyone else started to feel nice.

The second half recovered well, though, and while I still think the protagonist is a bit of an ass, there was at least some personal growth on display. A lot of that arc of the story reminded me of The Improbable Rise of Singularity Girl—that same feeling of explorative transhumanism, and trying to apply computer science concepts (and scale!) to sentience. (That “bringing in actual computer science and engineering” stuff also reminds me of Ra, which takes a wildly different approach to this kind of story, but also quite enjoyable.)

Overall, I do totally recommend this book. And, being a Doctorow novel, you can actually pick it up as a free ebook, although I do recommend, for the sake of both the authors and the publisher that they apparently quite like, buying a physical copy.

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Review

“H.I.V.E.”

Mark Walden

I started reading this series when I was the actual target age group for it, and sometime in the last few months it popped back into my head. From there, I found out that the final book in the series had been published, and I figured I’d go back through and reread the whole thing, now that it was done, see what it’s like.

Honestly, it stands up pretty well. I still feel like this could be adapted into a movie franchise pretty well—it’s got some of that Harry Potter vibe to it, but for the people who love James Bond rather than people who like general fantasy novel stuff.

What’s nice about the ‘finished series’ part of it is that I feel like most of the plot threads got pulled together very well. Everyone gets closure, everyone you like gets a happy ending. And there’s enough room in the state of things for there to be a spin-off series afterwards, if the author feels like writing more!1

As far as what the series is actually about goes, here’s the tl;dr: the Higher Institute of Villainous Education is a boarding school with a very selective, and mandatory, acceptance rate. From the villainous children of the world, the worst of the worst find themselves snatched up and brought to a sprawling facility carved out of the inside of an active volcano, and taught to be not just better villains, but villains with panache. This is where all the classic Bond villains went to school; there are class sessions on space station logistics, how to choose between sites for your underwater base, and how to effectively monologue while slowly executing the hero.

This series is just fun. It perfectly captures that stylistic aplomb, the undeniable cool of the bad guys in the classic Bond films, and mixes it with the staples of the YA genre better than the “young Bond” series ever managed to.

I wasn’t sure how this reread was going to go, but I’m delighted with the end result. I absolutely recommend these books—at very least, check out the first one and see what you think.2

  1. And, by the way, if Walden ever sees this: give me a sequel about Nigel and Franz falling in love, damn you. That little line in the epilogue, “it’s not just the ladies,” that’s the bare minimum of queer representation possible, and I want more. ↩
  2. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Signal Moon”

Kate Quinn

This is one of those stories that, going in, you know is going to hurt. Voice-only time travel does not a happy ending make, especially across 80 years. But it’s still worth reading—it’s quite short and to the point, and very effectively told. Spend an hour being sad.1

  1. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“Stealing the Elf-King’s Roses”

Diane Duane

I picked this up for a reread as a break from my “read all the ebooks I’ve got” project, and upon finishing it was surprised to find that I’d never written a review. Well, no time like the present to correct that!

In short, I adore this book. It’s a truly wonderful piece of alternate-history fiction, and the way that’s expressed is done so very perfectly. I’ve got the revised edition, which includes at the end some of the author’s notes about the differences between the worlds it takes place in and ours—and yes, worlds, plural, one of the divergences is the discovery of interdimensional travel, but it’s clearly stated that we’re due to figure that out soon. But even without that, it feels like if you were given the chance to ask Duane about anything in here, pull at any of the strings, she’d have a bunch of notes already prepared. My favorite moment of this is a couple words in passing, where the characters are finally shocked enough by something to say it full out, and suddenly their previous swear of “Suz!” makes more sense: “Suzanne H. Christ!”

Beyond that, the story is weird and fun, and the whole ‘mix of universes’ thing, with the politics that comes from having all these different timelines coming together, makes for a fascinating setting. And, of course, I absolutely love any book that showcases great friendships, and doesn’t fall over itself trying to shoehorn in a love story.1

Overall, this book is a delight, and I heartily recommend it. Pick it up directly from the author’s ebook store, and browse around while you’re there—I love everything of hers that I’ve ever read.2

  1. It was, apparently, a common complaint with the earlier edition that the cover art and title made it sound like a romance novel; I assure you, a romance novel it is not. You’re welcome to read it as if it is one, though, and I bet you’ll find your expectations subverted in a very fun way! ↩
  2. Citation: I’ve got a quote from one of her books as a tattoo. ↩
Categories
Review

“Dark Matter”

Blake Crouch

A friend of mine gave me this book and told me I have to read it. Which was a good push to have, because if I hadn’t had that in the back of my head, I don’t think I would’ve stuck it through. The whole first half of the book is… not all that interesting. It’s a generic sci-fi trope (oh, what’s that, there’s infinite realities, and each choice we make splits off into two or more??? unprecedented) and a protagonist who takes way too long to figure out what’s going on. (And, frankly, he never really figures much out until the end, and even then it feels like he’s still running behind, but at least by then it was somewhat understandable.)

Really, it just felt like it spent entirely too long setting up the premise. Which is probably useful for a broader audience, but in that regard I’m the wrong person to read it—as is, really, anyone who’s watched Rick and Morty.

But if you stick with it, it actually does a good job of exploring the concept in a new way. One that even the aforementioned Rick and Morty hasn’t delved into. The narcissism of small differences, the sheer overwhelming number of uncanny valleys you can have in an infinite multiverse. And the issues that arise when those infinitely-splitting choices keep infinitely splitting.

So, overall, I found myself quite enjoying the book. It’s not at all hard sci-fi, and sitting here looking at the cover, the little “a novel” down in the corner is doing a lot of heavy lifting. It’s far more about the characters than it is about the adventure. If that sounds interesting to you, check it out.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
Categories
Review

“Moonfall”

This movie is, first and foremost, stupid. The core concept doesn’t work, and a lot of key plot elements don’t work either.1

But then, it’s a Roland Emmerich movie, and he’s got a distinct style: take a thing people are concerned about in the real world, crank it up to 11 so it’ll be visually interesting, and off we go. I certainly didn’t go in expecting a robust understanding of orbital mechanics, and you shouldn’t either.

And here’s where the tone of my review changes, because for all the bashing on the concept I just did, I actually really enjoyed the movie. It’s in that sweet spot of “bad movie” where it’s fun to watch with friends and mock. “Mystery Science Theater 3,000” bad, not “Star Wars Holiday Special” bad. Do just enough prep work to know how silly it is—in my case, I went with “having been an avid science fiction nerd my whole life,” but if you want less of a time commitment, go for this Kurzgesagt video about what would actually happen if the moon fell out of orbit—then grab some popcorn and get ready to roast the movie.2 (Bonus points: make a drinking game every time you spot a sponsor of the movie. The easy ones are Elon Musk and the Chinese government.)

  1. “The moon’s been falling out of orbit for a decade, and nobody at NASA or any other space agency noticed until just now!” ↩
  2. And, while you’re watching Kurzgesagt videos, I also recommend this one explaining why the military’s “contribution” to the plot is stupid, and this one that explains what megastructures actually are. And, really, pretty much everything on their channel is worth a watch. Kurzgesagt is great. ↩