Tag: science fiction

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Review

“Scarlet Odyssey”

C T Rwizi

Pretty much any piece of fantasy I read that has magic in it, I wind up trying to figure out the rules of the magic. Because, sure, it’s magic, but it has to have a system underlying it—otherwise nobody would be able to actually use it for stuff! A lot of the time, for the sake of the story, the rules basically boil down to “magic does whatever the plot needs it to do,” which admittedly isn’t not the case in “Scarlet Odyssey,” but there’s also very clearly a set of rules for how it works.1

But what I really loved about this set of rules, what really captivated me, is that it isn’t magic. It’s a sufficiently advanced technology. And it’s masterfully done. Ra featured a magic system that just is programming, including very clear connections to how *nix works. “Scarlet Odyssey” has hints of how it works that make it feel distantly related—more of the “this is how the abstract concept of computation works” than “this is how most computers on Earth work.” That makes it a lot easier to buy this as not a completely alternate-world history, but actually a far, far distant-future bit of science fiction. (Personally, my theory is that the reason they all worship the moon and regard it as the source of the magic is that it is—a moon is a handy place to put some machinery a couple ticks up the Kardeshev scale that you’re gonna use to customize the laws of physics for a planet.)

So, a couple hundred words in to this review, I’m clearly enamored of the world building. And, wow, I’ve barely scratched the surface; there’s a whole rich history, multiple civilizations, the actual details of how the system of magic works… it feels big and storied. Historic.

Worldbuilding aside, I also really enjoyed the story.2 Salo makes for an interesting protagonist, and the jumping between different characters’ perspectives is well-done, providing their different views of how the journey is going, as well as their own stories. Frankly, by the end of the book, it feels a bit like a D&D campaign group—each of the characters is totally unique, and a fight between them and a big group of Generic Evil Minions Plus One Big Bad feels like it fell right out of the Dungeon Master’s Guidebook. They’ve each got their own story, and while Salo is clearly the main protagonist, the story they’re writing together isn’t just about him.

We’ve also got a really great villain in The Handmaid, though I’ll admit I did spend a bit of time being very confused because I hadn’t realized that The Handmaid and The Enchantress were two different characters. Pay attention to the chapter titles, kids, they’re meaningful!

Overall, I absolutely loved this book. I feel as if, here at the end, I should be doing some kind of caveat, but it really directly hit everything I want from a book! It’s not even failing the Russo Test!3 I recommend the heck out of “Scarlet Odyssey,” give it a read.4

  1. Said rules aren’t particularly clear, as there’s at least six kinds of magic, but also maybe a seventh, and also that’s only the ones practiced on this continent, and there’s a whole other family of magic in the other continents? There’s a lot going on. ↩
  2. I could’ve done with more than around 1/2 of a plot thread being tied up by the end of the book, but they’ve gotta get me hooked for the remainder of the trilogy somehow. And, to be fair, if things had been cut down enough to fit the whole trilogy’s plot into one book, it would’ve either been a terrifyingly large book, or lost a lot of the detail that I enjoyed. ↩
  3. In point of fact, it passes it with flying colors. Identifiably gay characters? Salo’s subtle, but his uncle and uncle’s husband, less so. Not defined by that character trait? The uncle is a fierce warrior, and Salo’s own queerness is honestly easy to miss if you aren’t paying attention to how he interacts with the guy he’s trying to hide his crush on/from. Integral to the story? Yeah, I’d say the main character is pretty integral to the story! ↩
  4. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“The Last Cities of Earth”

ed. Jennifer Brozek

This was an absolutely fascinating anthology. Generally when I read those, they’re gathered around a single subject area or theme; in this case, though, they all took place in a shared universe.1 In a way, it reminds me of the concept of transformative works—a bunch of different people playing together in the same space, each putting their own twist on it.

And hey, if parts of the concept struck me as a bit ridiculous, it’s not like I’m always sticking to the most robust hard-science-fiction in my reading. Floating cities struck everyone as the best way to survive a global climate apocalypse? Y’know what, sure, why not. It’ll look cool.

Now, thoughts on a couple of the stories:

  • Warriors of the Rainbow was a great choice for ending the book, and totally hits the solarpunk-hopeful vibe that I really like. Sure, there’s realpolitik and a Big Bad, but there’s people working simply on making things better. The kind of thing the world needs!
  • The Flying Dutchman was my personal low point for the book. I just hate zombies. Sure, they followed the protocol to keep it from getting from the airship into the city, but… they found the zombie disease(?) on the ground somewhere. It’s a rather key point of how zombies work that they’re quite content to walk a long ways. That problem isn’t dealt with, and nobody knows what’s coming. Uh oh.
  • Fatherhood was an excellent introduction, and while it has that “that problem isn’t dealt with, and nobody knows what’s coming” vibe to it as well, it’s at least a less-apocalyptic problem. Slightly.
  • Bonsai was, I think, my favorite of the stories. It feels Pratchettian to me; certainly that amount of silliness. And, again, it’s hopeful! Sure, hopeful through a really tangled mess of espionage and high-tech weaponry, but that just makes it better.

So, all told, I really enjoyed this book. Powered through the whole thing in, like, a day; it was a struggle to put it down to get to sleep.2 So hey, go give it a read.3

  1. Well, within limits—clearly there wasn’t a single centralized authority making sure that everything perfectly respected everyone else’s additions to the canon, just look at the variety of names that Las Vegas gets. ↩
  2. Did I wind up stopping after The Flying Dutchman? Yes. Should I have continued after that? Also yes, because c’mon, Grey, load something other than nightmares into your short-term memory before trying to sleep. ↩
  3. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“Owl Be Home for Christmas”

Diane Duane

This is a pretty direct follow-on to my last review, and similarly was written before Christmas. And while it’s the same kind of thing—a small, not saving-the-world scale story in a universe I love—it’s also very different. Because “How Lovely Are Thy Branches” takes place within the main timeline of the books, but this was based on a real event, and was thus locked to a specific point in time. Which happened to be something like a decade later than the rest of the series.

It’s a commentary on how well Duane has written the series to be timeless that it’s easy to forget that, prior to the New Millennium rewrite, these were all taking place in, what, the 80s-90s? That timelessness, though, made it very surprising to realize that, in jumping up to approximately now, a lot of time had passed.

And that’s what really hit me, in reading this. It’s a glimpse at the future of these characters I love. I’ve gone from being along for the ride as they grow up to seeing them as adults, and the places they’ve made for themselves. It’s a bittersweet reunion, and it makes me want to know everything that happened in between. Kit did a doctorate? In what? Nita’s working with Irina? How did that happen? What else have I missed?

All that, and there’s also the sense that the series has grown. I remember that 90s-inflected, Don’t Say Gay treatment of Tom and Carl in the original edition of the first book. In point of fact, I remember explicit statements that they weren’t together, just coworkers who’d decided to buy a house together.

And now, here in 2020, we get to see them waking up together. Poking fun, “are you calling me old?” “I seem to remember telling you I like older men…”

This was such a short story, and it pulled on my heartstrings way more than I was expecting it to. I think this one may be slightly better for someone new to the series than the last, given that there’s less need to actually know who the characters are to understand what’s going on—although it actually has direct references to “How Lovely Are Thy Branches”—but the broader context of how this world works would still be confusing. So hey, why not pick up the box set, it’s a pretty good deal.

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Review

“How Lovely Are Thy Branches”

Diane Duane

As a bit of a peek behind the scenes at how far out I occasionally write these reviews, I read this over Thanksgiving weekend, which was approximately the perfect time to read it. Great way to kick-start the Christmas spirit!

It’s been long enough since I read any of the Young Wizards book that this feels like a strange homecoming; everything is familiar, but some of the details I can’t quite recall. The introduction mentioning where, exactly, in the timeline this took place was a helpful bit of grounding, and I loved some of the little world-building touches like Carmela having employee-level access to the systems at the Crossings. (Which, really, makes a lot of sense—not only is she good friends with the guy running the whole place, but she saved it from an invasion. That’s the sort of thing that does tend to earn one the Keys to the City or equivalent.)

The Interim Errantry series is a nice, lightweight part of the greater universe, and exactly the kind of thing I love to see in more established universes. Everything can’t be huge-scale, this is the apocalypse/save the world type adventures! There’s gotta be time for regular life in between—or, if there isn’t, then it’s worth exploring that these people aren’t able to have regular life. Since that isn’t the case, it’s nice to see some of the little moments like these.

It’s such a nice little story, I love it. I really doubt that it’d be a good starting point for the series, since there’s a whole lot of existing characters that don’t get introduced particularly well, but if you already know the franchise, go read it.

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Review

“Imagine 2200: The 2022 climate fiction collection”

I stumbled across this basically by accident, and let it float around in my to-read pile for a while before finally diving in. It survived a few culls of the queue, and I’m glad it did; the stories here are poignant and hopeful, a look at futures that I hope we’ll see. I’m going to skim through a couple of my favorites.

  • Seven Sisters really brought to mind the phrase “this is the future liberals want.” A non-traditional family, struggling together, trying to make the world a better place just for the joy of doing it.
  • And Now the Shade brought tears to my eyes. Grief and hope, tied up together, and that strange sense of loss that comes before the loss itself.
  • The Florida Project made me think of my sister, in particular the feeling of the first reunion after we’d spent a while living in different states.
  • A Holdout in the Northern California Designated Wildcraft Zone reminds me of the concept of “friendly AI” done really well. A story from the perspective of a literal drone, part of a hive mind, learning compassion.
  • The World Away From the Rain is another one in the “working through grief” category, told from an outsider’s perspective instead. No less effective for that change in viewpoint.

That isn’t all—there are several more stories in the collection, and I quite enjoyed them all, but these were the ones that most grabbed me by the heartstrings. Go check it out.

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Review

“The Rapture of the Nerds”

Cory Doctorow & Charles Stross

Had a bit of a roller coaster in reading this book—it started off well, with the sort of fascinating worldbuilding that I do associate with Doctorow’s visions of the future. By the midpoint, though, I found myself rooting for the vague sense of doom. None of the characters were at all likable, and the idea of everyone being removed from the universe to make it a better place for everyone else started to feel nice.

The second half recovered well, though, and while I still think the protagonist is a bit of an ass, there was at least some personal growth on display. A lot of that arc of the story reminded me of The Improbable Rise of Singularity Girl—that same feeling of explorative transhumanism, and trying to apply computer science concepts (and scale!) to sentience. (That “bringing in actual computer science and engineering” stuff also reminds me of Ra, which takes a wildly different approach to this kind of story, but also quite enjoyable.)

Overall, I do totally recommend this book. And, being a Doctorow novel, you can actually pick it up as a free ebook, although I do recommend, for the sake of both the authors and the publisher that they apparently quite like, buying a physical copy.

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Review

“H.I.V.E.”

Mark Walden

I started reading this series when I was the actual target age group for it, and sometime in the last few months it popped back into my head. From there, I found out that the final book in the series had been published, and I figured I’d go back through and reread the whole thing, now that it was done, see what it’s like.

Honestly, it stands up pretty well. I still feel like this could be adapted into a movie franchise pretty well—it’s got some of that Harry Potter vibe to it, but for the people who love James Bond rather than people who like general fantasy novel stuff.

What’s nice about the ‘finished series’ part of it is that I feel like most of the plot threads got pulled together very well. Everyone gets closure, everyone you like gets a happy ending. And there’s enough room in the state of things for there to be a spin-off series afterwards, if the author feels like writing more!1

As far as what the series is actually about goes, here’s the tl;dr: the Higher Institute of Villainous Education is a boarding school with a very selective, and mandatory, acceptance rate. From the villainous children of the world, the worst of the worst find themselves snatched up and brought to a sprawling facility carved out of the inside of an active volcano, and taught to be not just better villains, but villains with panache. This is where all the classic Bond villains went to school; there are class sessions on space station logistics, how to choose between sites for your underwater base, and how to effectively monologue while slowly executing the hero.

This series is just fun. It perfectly captures that stylistic aplomb, the undeniable cool of the bad guys in the classic Bond films, and mixes it with the staples of the YA genre better than the “young Bond” series ever managed to.

I wasn’t sure how this reread was going to go, but I’m delighted with the end result. I absolutely recommend these books—at very least, check out the first one and see what you think.2

  1. And, by the way, if Walden ever sees this: give me a sequel about Nigel and Franz falling in love, damn you. That little line in the epilogue, “it’s not just the ladies,” that’s the bare minimum of queer representation possible, and I want more. ↩
  2. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Signal Moon”

Kate Quinn

This is one of those stories that, going in, you know is going to hurt. Voice-only time travel does not a happy ending make, especially across 80 years. But it’s still worth reading—it’s quite short and to the point, and very effectively told. Spend an hour being sad.1

  1. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
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Review

“Stealing the Elf-King’s Roses”

Diane Duane

I picked this up for a reread as a break from my “read all the ebooks I’ve got” project, and upon finishing it was surprised to find that I’d never written a review. Well, no time like the present to correct that!

In short, I adore this book. It’s a truly wonderful piece of alternate-history fiction, and the way that’s expressed is done so very perfectly. I’ve got the revised edition, which includes at the end some of the author’s notes about the differences between the worlds it takes place in and ours—and yes, worlds, plural, one of the divergences is the discovery of interdimensional travel, but it’s clearly stated that we’re due to figure that out soon. But even without that, it feels like if you were given the chance to ask Duane about anything in here, pull at any of the strings, she’d have a bunch of notes already prepared. My favorite moment of this is a couple words in passing, where the characters are finally shocked enough by something to say it full out, and suddenly their previous swear of “Suz!” makes more sense: “Suzanne H. Christ!”

Beyond that, the story is weird and fun, and the whole ‘mix of universes’ thing, with the politics that comes from having all these different timelines coming together, makes for a fascinating setting. And, of course, I absolutely love any book that showcases great friendships, and doesn’t fall over itself trying to shoehorn in a love story.1

Overall, this book is a delight, and I heartily recommend it. Pick it up directly from the author’s ebook store, and browse around while you’re there—I love everything of hers that I’ve ever read.2

  1. It was, apparently, a common complaint with the earlier edition that the cover art and title made it sound like a romance novel; I assure you, a romance novel it is not. You’re welcome to read it as if it is one, though, and I bet you’ll find your expectations subverted in a very fun way! ↩
  2. Citation: I’ve got a quote from one of her books as a tattoo. ↩
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Review

“Dark Matter”

Blake Crouch

A friend of mine gave me this book and told me I have to read it. Which was a good push to have, because if I hadn’t had that in the back of my head, I don’t think I would’ve stuck it through. The whole first half of the book is… not all that interesting. It’s a generic sci-fi trope (oh, what’s that, there’s infinite realities, and each choice we make splits off into two or more??? unprecedented) and a protagonist who takes way too long to figure out what’s going on. (And, frankly, he never really figures much out until the end, and even then it feels like he’s still running behind, but at least by then it was somewhat understandable.)

Really, it just felt like it spent entirely too long setting up the premise. Which is probably useful for a broader audience, but in that regard I’m the wrong person to read it—as is, really, anyone who’s watched Rick and Morty.

But if you stick with it, it actually does a good job of exploring the concept in a new way. One that even the aforementioned Rick and Morty hasn’t delved into. The narcissism of small differences, the sheer overwhelming number of uncanny valleys you can have in an infinite multiverse. And the issues that arise when those infinitely-splitting choices keep infinitely splitting.

So, overall, I found myself quite enjoying the book. It’s not at all hard sci-fi, and sitting here looking at the cover, the little “a novel” down in the corner is doing a lot of heavy lifting. It’s far more about the characters than it is about the adventure. If that sounds interesting to you, check it out.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“Moonfall”

This movie is, first and foremost, stupid. The core concept doesn’t work, and a lot of key plot elements don’t work either.1

But then, it’s a Roland Emmerich movie, and he’s got a distinct style: take a thing people are concerned about in the real world, crank it up to 11 so it’ll be visually interesting, and off we go. I certainly didn’t go in expecting a robust understanding of orbital mechanics, and you shouldn’t either.

And here’s where the tone of my review changes, because for all the bashing on the concept I just did, I actually really enjoyed the movie. It’s in that sweet spot of “bad movie” where it’s fun to watch with friends and mock. “Mystery Science Theater 3,000” bad, not “Star Wars Holiday Special” bad. Do just enough prep work to know how silly it is—in my case, I went with “having been an avid science fiction nerd my whole life,” but if you want less of a time commitment, go for this Kurzgesagt video about what would actually happen if the moon fell out of orbit—then grab some popcorn and get ready to roast the movie.2 (Bonus points: make a drinking game every time you spot a sponsor of the movie. The easy ones are Elon Musk and the Chinese government.)

  1. “The moon’s been falling out of orbit for a decade, and nobody at NASA or any other space agency noticed until just now!” ↩
  2. And, while you’re watching Kurzgesagt videos, I also recommend this one explaining why the military’s “contribution” to the plot is stupid, and this one that explains what megastructures actually are. And, really, pretty much everything on their channel is worth a watch. Kurzgesagt is great. ↩
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Review

“The Ministry for the Future”

Kim Stanley Robinson

I don’t know that I’ve ever read something this simultaneously terrifying and hopeful. And now, having read it, I want it to be required reading for anyone running for office, and possibly just everyone in general.

We are, without a doubt, in the midst of a global climate emergency. At this point, the amount of evidence against anthropogenic climate change is about tied with the amount of evidence for “gravity isn’t real, you just think you’re stuck to the ground.”1 Climate change is a fact, and one that nobody is scared enough about.

“The Ministry for the Future” is a retelling of the next 50 or so years. Aside from the horrific opening, a call to action for the characters more so than it is for the audience, it is immensely hopeful: it’s a timeline where the Paris Agreement came with slightly more enforcement mechanisms, which combined with that horrific opening event to give the world enough of a push to start cleaning up our collective mess.2 It’s hopeful because everything in it feels possible; there’s no deus ex machina, no “and then we invented cold fusion and everything was fine!” Every technological innovation in the book is entirely, utterly feasible, using the technologies we have access to right now.

But that’s also what makes it terrifying. It feels like reading a history book sent back from the good timeline. It feels like staring down fifty years of threading the needle, narrowly navigating between potential disasters on all sides.3 And we don’t feel like we’re particularly on the right path for that yet.

So, having read this book and loved it, my usual call to action: go read it.4 And then, having read it, go contact your representatives. And tell them, in no uncertain terms, that the world is on fire and they need to do something about it.5

  1. Anthropogenic, for those who aren’t Big Ol’ Nerds about this topic, means “caused by humans.” ↩
  2. Proportionally, too: the US has to contribute a lot more cleanup than, say, Kenya, because the US has contributed a lot more to global carbon emissions than Kenya. ↩
  3. To go for a pop culture reference, it feels like Doctor Strange holding up a single finger; ‘there’s one future where we win this.’ ↩
  4. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
  5. And, yes, make personal changes as well! Your individual choice to eat less meat, buy an EV (or better, bike/walk/public transit!), turn down the heat—that one change doesn’t make much of a difference, really. But if we all do, that’s a huge change; and for every person that starts that trend, that’s one more little bit of social pressure to everyone else to do it too. ↩
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Review

“Free Guy”

I’m honestly not sure what I was expecting from this movie. Something akin to Ready Player One, I suppose, if a bit less hitting-you-over-the-head with the pop culture references. And, sure, in places it has some of that—the big fight towards the end definitely does that, but it also leans in with the reactions. (An excellent use of Chris Evans!)

In general, while watching the movie, I enjoyed it. There’s some fun playing with tropes, and I really do like the concept—Mogworld gone mainstream!1 And I can set aside the bits of “that’s not actually how technology works” as being something of a Plumber Problem.2 Really? This Silicon Valley tech company has all their servers in a ground-floor room of their main office? Yes, definitely, for sure, that’s an efficient way to use horrifyingly-expensive San Francisco real estate. And all the players in Europe definitely love the super-laggy gameplay experience that creates.

But, again, that’s stuff that I, as a big ol’ tech nerd, notice, and the average viewer probably doesn’t know about. It moved the plot forward, and it wasn’t egregious, so why not; I’ve already suspended my disbelief about the core plot elements, so why not this too?

Where it fell down for me, though, was the end. Spoilers ahead!

Because, all told, the end seems to wrap up very nicely. The twist on the whole “the guy gets the girl” trope was nice, and answered a question I’d had floating around for a while, which I enjoyed. But if you think about it at all, there’s just… no exploration of the consequences of anything. Somebody invented general AI and… nobody cares? We’re just leaving them in a video game, and the positive change in their lives is that instead of a torture chamber it’s a People Zoo?

Oh, and let’s look at ‘torture chamber,’ too—because that’s what the video game they were living in was. A nightmare world where everyone is constantly in danger, generally dying every day and being reset the next morning, and for who knows how long, they were all being gaslit into thinking that was Fine and Normal. It may have been an accident, but the creators of this game up and created a slave race for their entertainment. That’s the kind of thing that the UN generally likes to do a bit of investigation of.

And, speaking of investigations, there’s no investigation of Antwan? The world seems to have, at least somewhat, accepted the concept that Guy, if none of the other NPCs, is a fully-sentient AI. Antwan just… gets away with trying to kill him? Sure, his stock price tanks, and he looks like an idiot on the news, but generally attempting murder in front of dozens of witnesses has slightly more of an impact on your lifestyle. Never mind the fact that he didn’t just attempt murder, he followed it up by attempting genocide against the aforementioned slave race.

Beyond all that, there’s the fact that this entire new population of artificial intelligences were born in that kind of a crucible. Trying to create an AI that doesn’t accidentally wipe us out is difficult enough; in this world, we created an army of them and they spent their childhoods as our torture-slaves. Given the rate at which they’re learning… well, Guy’s little “leveling up faster than anyone thought possible” montage sure looks more terrifying when you remember that they have no reason to like us and they know we’re a threat to their survival. If they make a sequel to this movie, it’s going to be about getting Guy a virtual girlfriend, because Hollywood is predictable like that. Joke’s on them, though, because we already have the sequel: Terminator.

  1. This is an Amazon affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I prefer Bookshop affiliate links to Amazon when possible, but in this case, the book wasn’t available there, so it’ll have to do. ↩
  2. A phrase coined, I believe, by John Siracusa. A plumber watching a movie will notice “that’s now how plumbing works!” a lot more readily than anyone else. ↩
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Review

“Please Don’t Tell My Parents I Work for a Supervillain”

Richard Roberts

I consistently forget how much I like Richard Roberts’ books. They’re a really excellent take on the superhero genre, embracing the ridiculousness of the whole thing while at the same time doing an excellent job of exploring some of the implications of living in a world that regularly has said ridiculous things happening. And, even better, doing things that would only work in the written form—there’s a truly delightful bit with a character named Retcon that I can’t imagine working in any format except first-person-written. A bit of their introduction, roughly paraphrased:

“You’re wasting your time, Retcon never comes to Chinatown.”

“Normally I don’t, but once I’d read that letter, I’d been here all day.”

And, beyond that little bit of messing with tenses to establish their power, you get the only-in-writing aspect: every time they speak, we get the “this is the first time I’ve seen this person, let me describe” them happening over again, and they’re described completely differently each time. (You may not the ‘they/them’ pronouns—the book doesn’t use those, but does switch between ‘he/him’ and ‘she/her’ a couple times.)

And that? That’s delightful. A character whose power is that they’re constantly being retconned? Just, chef’s kiss, beautiful, I love it.

As I said, I really like Roberts’ writing. It’s fun, and light, without being vapid. This book is nominally eighth in the series, but it’s eighth in the same way that, say, a new Marvel movie is the hundredth Marvel movie: sure, if you’ve seen the others, you get a bit more background on people, but it’s not required to understand what’s going on. So, if you haven’t read any of the others, this is a pretty solid jumping-in point. Give it a go.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩
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Review

“On Basilisk Station”

David Weber

I really, really enjoyed this one. One of the things I tend to struggle with, or at least gloss over, in military fiction is that I truly have no idea how the ranks work. I know a general is above a private, an admiral outranks an ensign, but any of the finer details, and I’m totally lost. This book did a fairly good job of addressing that—while there was certainly some of the usual “meh, I figure I’ve got this close enough” going on in my head, there were a few distinct moments where the narrative paused to explain the context.

That sort of pause occurred a few other times, notable examples being a several-page explainer of the structure of the government of one of the major powers in the book, and another several-page history lesson on the various faster-than-light drive technologies in use. And in both cases I found myself thinking that, while it’s a violation of the show-don’t-tell principle, it was also a much clearer way to explain than any “show” could’ve been. Plus, the addition of the actual history of when they were invented and what the interim periods were like added a nice bit of color to everything.

This was quite a good read, and I finished it much more quickly than I was expecting to; at some point, I may have to come back and read more of this series. And, of course, if you like military science fiction at all, I think you’ll enjoy this. Give it a read.1

  1. This is a Bookshop affiliate link – if you buy it from here, I get a little bit of commission. It won’t hurt my feelings if you buy it elsewhere; honestly, I’d rather you check it out from your local library, or go to a local book store. I use Bookshop affiliate links instead of Amazon because they distribute a significant chunk of their profits to small, local book stores. ↩